From the course: Time-Lapse Video: Shooting with the Camera in Motion
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Processing the hyperlapse
From the course: Time-Lapse Video: Shooting with the Camera in Motion
Processing the hyperlapse
Let's bring in those processed images from the hyper lapse. Now, I saved those out to my computer, and you'll see that we have an image sequence. By selecting the first image, After Effects recognizes that this is a tiff sequence, so if I click open, it bring it in as a movie. Now, this is a very short movie, it's only one and a half seconds long right now. And if you look at that, it moves pretty quickly because there is not a lot of frames there. So, those frames playing back at 30 frames per second only take about one and a half seconds. And let's fix that. First off, I'll right click on the sequence and re-interpret the frame rate. Rather than doing 30 frames per second, I'm going to deliver this at 24p. But actually I'm going to slow it down even more. I'll drop this to six frames a second in this case and click OK. Now, make a new composition that matches your delivery format. I'm going to do a 720p sequence in this case and set the frame rate. To 23.98, once that's set and…
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