Join Richard Harrington for an in-depth discussion in this video Making lens corrections, part of Shooting a Time-Lapse Movie from a Window.
…While I generally prefer to use a manual approach to corrections, you can take…advantage of the upright adjustment, as long you take great care in doing so.…For example, with this image selected, perhaps I decide to do an Auto adjustment.…Or a Level or Vertical adjustment.…Applying these will override some of the…adjustments that you made, with the manual adjustments.…Such as any perspective or horizontal or vertical…changes that you might have made, to the shot.…But you'll want to hold down the Alt or the Option key, to make sure that these…are preserved, and the same settings are applied…to all of the shots in the sequence.…
If you just click auto or full, it'll override the transforms.…I think this looks like a pretty good adjustment.…But what I want to do, is apply this to all of…the shots in the sequence, so that it's a consistent adjustment.…Let's select the entire range here for this particular method.…Remember, you could Shift-click, to select a range of shots.…I'll make sure that they're all active and selected.…
In this course, Richard Harrington details the steps behind shooting great time-lapses from a window, including how to avoid window reflections and glare. The course also includes gear and file-format advice as well as tips for assembling the shots into a finished movie.
This course was created by RHED Pixel. We're honored to host this training in our library
- Reducing and removing reflections
- Setting up the camera
- Capturing the shot
- Polishing and assembling the shot in Photoshop
- Polishing and assembling the shot in Lightroom
- Fixing problems in post
Skill Level Intermediate
1. The Gear You Need
2. Setting Up the Camera
3. Capturing the Shot
4. Finishing the Shot with Photoshop
5. Developing the Shot with LRTimelapse
6. Fixing Common Problems in Post
Wrapping up1m 4s
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