From the course: Time-Lapse Video: Shooting with the Camera in Motion
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Developing the time lapse with Camera Raw
From the course: Time-Lapse Video: Shooting with the Camera in Motion
Developing the time lapse with Camera Raw
Let's just open both of those up, double click and we're in Camerah. It's your shot. Make it look good. >> Okay. So, first we just make sure our settings are correct. >> Yeah. So, what Keith kicked on the bottom there is the work flow options. This is a good idea. You can make sure you're staying in 16 bits per channel. If you're going to use a high quality professional video codec, things like Apple Prores, 4 by 4, or Cineform. There are 10-bit and 12-bit video codecs. If you know for a fact that you're going down to a lot of the more common video file formats, those are only 8-bit. So, this is your opportunity to save a bit of file size, but we're going to keep these 16-bit since we can use a high quality codec, that preserves some of that color detail. In this case, you got 5,700 pixels across. That's literally three times what you need for HD video. >> Sometimes we do like to process stuff at 4k. >> Mm-hm. >> Possible, so, so in the future, we're future proofing our stuff. And we…
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Contents
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Adjusting the raw files with Camera Raw4m 54s
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Sharpening and noise reduction in Camera Raw6m 40s
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Adjusting the raw files with LRTimelapse ramping6m 4s
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Developing the time lapse with Camera Raw7m 7s
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Using lens profiles2m 56s
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Using Upright5m 35s
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Post moves3m 33s
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Using the camera track to add text9m 49s
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Flicker reduction4m 19s
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