Join Richard Harrington for an in-depth discussion in this video Color grading night footage, part of Shooting a Hyperlapse Time-Lapse Video.
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…With all time lapse images, a certain amount of flicker is to be expected.…As well as a need to color grade.…Now with this long exposure hyper lapse,…we definitely have huge variations in the lighting.…Both because we were driving through great distances.…Some of these shots were a minute long.…So, imagine driving down a highway for a minute, how…much variety you're going to see in lighting conditions, at night.…So, we needed to see some fluctuations here and really get…things to auto stabilize, plus just a little bit of color.…Let me walk you through a graded shot and explain the decisions that I made.…
Let's put the recently-imported one into the same folder…with the shot I've already taken a pass at.…I've imported the same images, but I have two different compositions here.…All right.…I'm going to close everything else, except for these two compositions.…Make it a little easier for you to see.…This first one here, is the one that was just imported,…and we've already applied frame blending, and sized it for the composition.…
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- Choosing the right camera for hyperlapse video
- Mounting your camera
- Stabilizing shots
- Programming the camera
- Capturing shots
- Post-processing, assembling, and color grading footage