From the course: VFX Keying: Master Course
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Keying for more semitransparency - Nuke Tutorial
From the course: VFX Keying: Master Course
Keying for more semitransparency
- [Narrator] The problem with semi-transparency is that it's difficult to dial in separately from the rest of the comp so it requires a custom treatment. Compositing outside the Keyer allows you to isolate the semi-transparent element and give it that custom treatment. So here's the setup. We've got this lovely green screen. And this veil which has lots of different transparency all over it, so it'd be a good contest for our semi-transparency challenge. Next, we go to Keylight and just pull the basic key. Now that key goes through this Grade node here, which at the moment has no adjustments. We'll return to that in just a minute. We're going to use this to dial in our semi-transparency. From here, the key goes to this Copy node, where we have brought in our spill-suppressed background. Next we do our Premult and then merge over the background. And I put in this fine detail checkerboard pattern so we can see lots of detail behind our transparency. The first thing I wanted to point out…
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(Locked)
How to add more hair detail11m 15s
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(Locked)
The special case of keying blond hair7m 14s
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Keying for more semitransparency5m 30s
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(Locked)
Techniques for better motion blur7m 23s
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How to retain all of the depth of field7m 2s
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(Locked)
Special keying techniques for smoke11m 3s
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Extra special keying techniques for fire8m 41s
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How to key a cloud out of the sky14m 53s
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Keying reflections off of glass techniques7m 10s
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How to cope with bad video12m 3s
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