From the course: Learning Modular Synthesis
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Low-frequency oscillator (LFO) waveshapes
From the course: Learning Modular Synthesis
Low-frequency oscillator (LFO) waveshapes
- We've used LFOs, Low Frequency Oscillators, in several of the examples so far in this chapter. But before we wrap this chapter up, let's spend a little bit of time going over the different options. There are wave shapes, whether or not you can synchronize them, the possibility of delaying their start, and also use them in a variety of situations: filter wah wah, vibrato, tremolo, and pulse with modulation. Just for fun I've set up a slightly different patch this time around. I'm using control voltage and gate for my controller, and I'm taking advantage of a buffered multiple to send the control voltages off to my oscillators and to send the gates off to trigger the envelope generators. I'm starting off with the generic 2VCO patch going into a low-pass filter. Right now I have the amount from the envelope generator turned all the way down to zero, so we can hear the effects of the LFO more clearly. And here's the note by itself. (low hum) Nice, low drone sound. Now let's say we want…
Contents
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Patching a typical synthesizer “voice”9m 3s
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(Locked)
Tuning voltage-controlled oscillators (VCOs)8m 48s
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(Locked)
The basic analog waveforms6m 23s
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(Locked)
Sine waves and drum sounds8m 36s
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(Locked)
Digital wavetable oscillators10m 19s
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(Locked)
The voltage controlled low-pass filter (VCF)8m 30s
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(Locked)
The difference between filter slopes7m 45s
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(Locked)
Filter resonance (feedback)7m 50s
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(Locked)
Other common filter modes (HP, BP, and Notch)9m 13s
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(Locked)
Envelope types (ADSR, AD, AR, and DADSR)8m 44s
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(Locked)
Linear vs. exponential envelope shapes7m 59s
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(Locked)
Low-frequency oscillator (LFO) waveshapes4m 14s
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(Locked)
Pulse width modulation (PWM)3m 7s
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(Locked)
Vibrato with LFO sync and delay4m 30s
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(Locked)
Tremolo and voltage-controlled amplifiers (VCAs)4m 52s
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(Locked)
Some alternate modulation sources4m 13s
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