From the course: An Insider's Guide to Today's Music Biz: 7 Record Labels
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Controlled compositions
From the course: An Insider's Guide to Today's Music Biz: 7 Record Labels
Controlled compositions
- Record deals can also reduce your income in another important way. It's called the Controlled Composition Clause. If you write the songs that you're recording for the record label, you are entitled to publishing income in the form of mechanical royalties for each track on an album, and it's the record label that pays those mechanical royalties. So, what's income for you is an expense to the label. And as we know, the label is not trying to find ways to make you more money, they're trying to find ways to make themselves more money. The way they'll do that is by reducing what they have to pay in publishing royalties. It's called the Controlled Composition Clause. Because you control those songs, they are called "Controlled Compositions" and the labels require that you give them a reduced rate for the license. Typically it's 75% of the statutory rate, which is about nine point one cents these days. So, if you were gonna make a million dollars in publishing on your album, you're now…
Contents
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Introduction1m 42s
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Labels are different1m 35s
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What labels do3m 1s
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How labels are structured1m 25s
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A&R2m 21s
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Business affairs39s
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Marketing & promotion1m 29s
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Creative services37s
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Manufacturing, distribution & sales51s
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Publicity department39s
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Radio promotion1m 19s
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Music licensing48s
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Why you need a label3m 56s
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How to get the attention of a label5m 20s
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The signing process2m 13s
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Connecting with A&R reps4m 13s
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Meeting with the label1m 39s
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What to expect when you are signed to a record label4m 15s
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Contract intro1m 40s
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Contract overview & key points2m 46s
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Commitment1m 50s
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Advances & royalties4m 2s
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Recoupment2m 34s
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Controlled compositions1m 51s
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360 deals2m 10s
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