From the course: Media Composer 2019 Essential Training: 101 Fundamentals 1
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Inserting a shot - Media Composer Tutorial
From the course: Media Composer 2019 Essential Training: 101 Fundamentals 1
Inserting a shot
- [Instructor] What I want to do is insert a shot of the delivery guy responding to these characters. And this is where the splice-in edit really starts to make sense. So I'll click back a little bit, and let's listen to their dialogue. - [Delivery Guy] Back it up, boys. - Huh? - [Delivery Guy] He doesn't want it. - He doesn't want it? - [Delivery Guy] That's what he said. - But it's already off the truck. - [Delivery Guy] Well, put it back on, genius. (indistinct) - [Delivery Guy] I know. We'll have to go all the way to the warehouse. And pick our traffic. - [Man] I know. - [Delivery Guy] It's the same is over, we'll miss-- - [Instructor] Now there's a gap where we can introduce another little piece of dialogue. And that's in this 732 shot. I think we'll go for 732 take three. And I've already marked this clip. Let's have a little bit of a listening. I'm going to press Q to jump to the end point and let's…
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Contents
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(Locked)
Building your sequence with Splice-In5m 55s
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(Locked)
Inserting a shot2m 59s
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(Locked)
Maintaining sync when splicing in clips4m 18s
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(Locked)
Understanding filler3m 54s
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(Locked)
Editing with Overwrite6m 18s
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(Locked)
Removing material with the Lift tool5m 16s
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(Locked)
Removing material with the Extract tool5m 19s
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(Locked)
Adding edits2m 34s
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Working with timecode4m 35s
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(Locked)
The Timecode window1m 49s
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(Locked)
Match Frame1m 58s
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(Locked)
Find Bin2m
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(Locked)
Go to Next Event and Go to Previous Event2m 39s
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(Locked)
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