…Night shots and dusk shots aren't that far off from daylight shots,…in that we want to show off the best features of the design.…Where they differ, is that in night shots or dusk shots,…we can see our interior lights, where the strong daylight in a…daylight shot, will blank out the interiors effectively, until we're inside…a space enough where it's dark enough to turn on the light.…The other difference with our night shots, is that we'll have good strong light…from our interiors, but a much lower light from a dusk sun coming in.…If we're dealing in a night shot, we way not see our interior lights at…all if we project a moon light coming in, because the moon is bounced light.…
If we turn on our interior lights,…that effectively blanks out or removes the moonlight.…So we have some choices to make there on what we see.…What I'll start with first then, is to get my interior lights in.…In this scene, I've left my mental ray materials on,…as well as my photographic exposure, global illumination, and final gather.…
Author
Released
4/8/2014- Creating and applying materials with luster and shine
- Creating a mental ray Daylight system
- Casting light from interior fixtures
- Lighting with sky portals
- Creating an ambient occlusion rendering pass
- Fine-tuning Final Gather and lighting
- Compositing in Nuke and After Effects
- Adding depth of field, highlights, and glow
Skill Level Intermediate
Duration
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Introduction
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Welcome37s
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Using the exercise files1m 59s
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1. Creating and Applying Materials
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Adding luster to wood5m 24s
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2. Lighting in Direct Sunlight
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3. Lighting Night and Dusk Shots
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4. Lighting with Sky Portals
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5. Lighting and Rendering Additional Passes for Compositing
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6. Compositing and Post Effects in Nuke
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Adding depth of field4m 27s
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7. Compositing and Post Effects in After Effects
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Adding depth of field2m 49s
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Conclusion
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Next steps49s
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Video: Casting light from interior fixtures