From the course: Digital Release and Promotion Strategies for Musicians
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Choosing an online aggregator I: Overview of royalty structures
From the course: Digital Release and Promotion Strategies for Musicians
Choosing an online aggregator I: Overview of royalty structures
- [Voiceover] Once you've got your masters all set, it's time to start thinking about distribution. A great way to get your music online is through an online aggregator. Okay, there are many of these, CD Baby, TuneCore, Symphonic Distribution. There are more and more each day and what's important is that you do a little research to figure out which one is best for your situation. The first thing I want to talk about is pricing. So this is Symphonic Distribution's page. I'm a fan of theirs, I've used them and I've used TuneCore as well and they start out with pricing by asking if you're an artist or a record label. So let's take a look at artist just to start out with and they have these pricing models that basically are set up based on how many tracks you're going to upload or you project to upload. So for example, if you're an artist and you're cranking them out, maybe you want to set something up so that you're paying a little bit more at the beginning, like 39.99 for 20 plus tracks…
Contents
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(Locked)
Readying your finished tracks for master3m 21s
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Self-mastering or choosing a mastering engineer8m 55s
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Registering for and implementing ISRC codes2m 15s
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Choosing an online aggregator I: Overview of royalty structures5m 20s
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Choosing an online aggregator II: Targeting your market with specific online retailers3m 26s
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Setting a release date and scheduling exclusivity with one outlet2m 9s
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