From the course: MASSIVE: Digital Synthesis
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Alternate filter modes and modulation - MASSIVE Tutorial
From the course: MASSIVE: Digital Synthesis
Alternate filter modes and modulation
- We've got a handle on the basic filter modes and modulation in Massive here, but one thing that I really want to talk about is some of the alternate filter modes, because that's where some of the real magic can happen. These are a lot of fun. So let's take the same key part, and I'm gonna go ahead and switch from Bandpass over to Bandreject. (techno sounds) Now, Bandreject sounds a lot different. It's really interesting, and essentially what it is is actually the opposite of a Bandpass filter, so with a Bandpass filter, we're only passing a certain range of frequencies that surround our cutoff frequency. With a Bandreject filter, it's actually as if that was sort of flipped upside down, where we have our full range of frequencies, but there's sort of a notch cut out of the middle. We can change the bandwidth, just like we can with the Bandpass filter, and we can change the resonance of that cavern, if you will. Let's kill the modulation for now, I'm just gonna mute that, and what…
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Contents
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Basic layout and signal flow2m 9s
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Envelope setting and routing5m 45s
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The oscillators, wavetables, and how to use them6m 44s
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MASSIVE's wavetables8m 20s
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Bend modes7m 17s
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Filter modes7m 21s
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Alternate filter modes and modulation16m 10s
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LFO (low-frequency oscillator)11m 45s
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Envelope looping9m 1s
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Stepper10m 44s
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Performer12m 34s
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Master settings and polyphony17m 34s
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Modulation oscillator, part one: Ring mod8m 22s
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Modulation oscillator, part two: Phase mod8m 11s
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Modulation oscillator, part three: Position and filter FM8m 42s
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Insert effects, part one: Distortion7m 11s
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Insert effects, part two: Feedback and more8m 59s
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Master effects8m 47s
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Noise7m 49s
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Macro control, part one: Incoming midi7m
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Macro control, part two: Knobs8m 48s
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Sidechaining8m 40s
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Automating macros in Logic Pro6m 49s
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Automating macros in Ableton Live4m 6s
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Saving and naming3m 41s
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