Join Brian Trifon for an in-depth discussion in this video Using the filter section to shape your sampled sounds, part of Logic Pro: Virtual Instruments.
So let's take a look at the filter section in EXS24.…So we've got a multi-mode filter here and it can be either a low-pass, band-pass,…or a high-pass filter.…This is where we're going to be sculpting the sound and subtracting frequencies…from the sampler instrument.…So first let's load in a patch.…So I'm going to load up a sampler instrument here.…So we've got this EXS24 Setup menu, and this is all the instruments that are…associated with this EXS24_Setup exercise file.…So I'm going to choose WaveTable, and this is just a waveform that has a…number of harmonics in it.…
(music playing) So it's kind of bright.…So it'll be good to filter.…So to help us visualize what's happening, I'm going to pull up the Channel EQ,…and we can use its frequency analyzer.…So on the channel, I can just double-click right here where it says EQ.…That opens up the channel EQ.…There are a couple of adjustments I like to make to this.…I'm just going to adjust the scaling of it by dragging it up.…I'm going to turn on the Analyzer, and I'm going to set the Resolution to High.…
Author
Brian Trifon
Updated
3/14/2012Released
11/10/2011Virtual Instruments with Logic Pro will be updating on a monthly basis, eventually covering all the virtual instruments in the application. Look for the latest movies here and on the lynda.com blog.
- Setting up Logic Pro for using virtual instruments
- Configuring MIDI controllers
- Composing with virtual instruments envelopes
- Tweaking the overdrive and chorus
- Creating movement with LFOs (Low Frequency Oscillators)
- Understanding FM synthesis basics
- Changing the timbre and shifting the formants of the vocoder
- Constructing custom sampler kits
- Exploring the tonewheel organ, electric piano, and Ultrabeat drum synthesizer
Skill Level Intermediate
Duration
Views
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Introduction
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Welcome2m 17s
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1. The ES M Monophonic Synthesizer
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Using the oscillator3m 4s
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Composing with the ES M5m 49s
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2. The ES E Ensemble Synthesizer
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Selecting a waveform2m 9s
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Using the Vibrato/PWM dial2m 15s
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Composing with the ES E6m 43s
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3. The ES P Polyphonic Synthesizer
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Composing with the ES P8m 23s
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4. The ES1 Software Synthesizer
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Tweaking the filter6m 36s
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Creating movement with the LFO14m 18s
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Composing with the ES19m 20s
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5. The EFM1 FM Synthesizer
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Getting started with EFM11m 51s
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Setting the carrier pitch2m 56s
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Adding movement with the LFO2m 59s
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Composing with the EFM110m 17s
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6. The EVOC 20 PolySynth
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Composing with the EVOC 2012m 45s
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7. ES2
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Getting Started with ES23m 33s
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Series or Parallel?6m 34s
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Composing with the ES210m 26s
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8. EXS24 Sampler
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Getting Started with EXS243m 29s
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Composing with the EXS249m 5s
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9. EVB3 Tonewheel Organ
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Using the EVB3 effects5m 43s
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Composing with the EVB311m 27s
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10. EVP88 Electric Piano
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Getting Started with EVP882m 46s
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Selecting a piano model1m 17s
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Musical example6m 37s
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11. EVD6 Electric Clav
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Getting Started with EVD62m 29s
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Using the EVD6 Effects5m 24s
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Composing with the EVD69m 27s
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12. The Sculpture Modeling Synthesizer
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Sculpting with the filter7m 37s
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Understanding the Body EQ6m 34s
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Employing the Morph Envelope9m 48s
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Composing with Sculpture10m 52s
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13. Ultrabeat Drum Synth and Step Sequencer
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Shaping with the envelopes7m 21s
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Building a kick drum8m 18s
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Synthesizing a snare drum8m 31s
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Creating a hi-hat4m 34s
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Utilizing the side chain9m 2s
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Composing with Ultrabeat14m 13s
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14. Klopfgeist
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Conclusion
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What's next?1m 12s
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Video: Using the filter section to shape your sampled sounds