Join Brian Lee White for an in-depth discussion in this video Recording with compression: Why or why not?, part of Foundations of Audio: Compression and Dynamic Processing.
One of the most common questions I get asked in any mixing course I teach is,…should I record with compression?…And my usual answer to that is, if you're asking me that question, the answer…is no, you shouldn't. Why not?…Well, if you mess up this signal with a botched compression setting, like if you…overcompress the signal or unwittingly add unwanted distortion while…compressing, that bad compression sound will be recorded and it's really hard,…if not impossible, to undo.…Instead, record the signal with no compression and add compression later in…the mixing process.…
Just to be clear, by recording with compression, I mean using a hardware or…software compressor before your signal is recorded to hard drive or tape.…This is not the same as inserting a real-time plug-in on the track you are recording to.…If a compressor plug-in is inserted on the actual audio track you're according…to, the compression is added after the signal has been recorded, allowing you to…affect the track in a nondestructive way, and you could freely change the…
AuthorBrian Lee White
- Measuring amplitude
- Understanding dynamic range
- Introducing compressors
- Utilizing compression ratios
- Applying attack and release
- Evening out a vocal performance with compression
- Adding punch and sustain to drums
- Using compression presets intelligently
- How to record with compression
- Solving common mix problems with limiters
- De-essing a vocal track
- Using gates and expanders
- Controlling frequency content with multiband compressors
- Using sidechains creatively
- Keying gates and compressors
- Fixing overcompressed tracks
- Using mixbus compression
- Working with parallel compression
- Compression and limiting best practices
Skill Level Appropriate for all
Q: This course was updated on 1/10/2014. What changed?
A: The Get in the Mix videos have been updated to the most recent version of Pro Tools. Also, the course now includes free Get in the Mix sessions for two more DAWs: Logic Pro X and Pro Tools 11.
Foundations of Audio: EQ and Filterswith Brian Lee White2h 29m Appropriate for all
Music Production Secrets: Larry Crane on Mixingwith Larry Crane1h 51m Intermediate
Pro Tools 11 Essential Trainingwith RIAN SKYE G LEWIN9h 14m Beginner
1. Audio Dynamics
4. Special Dynamics Processors
5. Advanced Topics
An Interview with the Author
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