Join Brian Trifon for an in-depth discussion in this video Modulating sound with the Leslie Rotor Cabinet, part of Logic Pro: Virtual Instruments.
One of the most distinctive features of the EVB3 is the Leslie Rotor…Cabinet emulation.…So the classic Leslie speaker design features two drivers:…there's a treble driver with horns and then a bass driver.…So the treble drivers rotates, and then the bass driver is stationary, but it has…a rotating sound baffle that moves around it.…So the result of these rotating speakers is a very distinctive modulation often…associated with organ sounds, and so this is all emulated in the EVB 3.…So first what I will do is is set up our drawbar registration.…
So I am going to hit this key right here, so now we have sound. And notice…that we now have the basic features for our rotor cabinet right here, so I…can turn it on.…But let's open up the hood, so we can see all of the parameters.…So here we have the advanced features of our rotor cabinet.…So I am going to go ahead and just turn this on and if we take a look, we have…three different modes here:…we have Chorale, Brake, and Tremolo. So essentially those are referring to the…
Author
Brian Trifon
Updated
3/14/2012Released
11/10/2011Virtual Instruments with Logic Pro will be updating on a monthly basis, eventually covering all the virtual instruments in the application. Look for the latest movies here and on the lynda.com blog.
- Setting up Logic Pro for using virtual instruments
- Configuring MIDI controllers
- Composing with virtual instruments envelopes
- Tweaking the overdrive and chorus
- Creating movement with LFOs (Low Frequency Oscillators)
- Understanding FM synthesis basics
- Changing the timbre and shifting the formants of the vocoder
- Constructing custom sampler kits
- Exploring the tonewheel organ, electric piano, and Ultrabeat drum synthesizer
Skill Level Intermediate
Duration
Views
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Introduction
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Welcome2m 17s
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1. The ES M Monophonic Synthesizer
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Using the oscillator3m 4s
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Composing with the ES M5m 49s
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2. The ES E Ensemble Synthesizer
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Selecting a waveform2m 9s
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Using the Vibrato/PWM dial2m 15s
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Composing with the ES E6m 43s
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3. The ES P Polyphonic Synthesizer
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Composing with the ES P8m 23s
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4. The ES1 Software Synthesizer
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Tweaking the filter6m 36s
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Creating movement with the LFO14m 18s
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Composing with the ES19m 20s
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5. The EFM1 FM Synthesizer
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Getting started with EFM11m 51s
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Setting the carrier pitch2m 56s
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Adding movement with the LFO2m 59s
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Composing with the EFM110m 17s
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6. The EVOC 20 PolySynth
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Composing with the EVOC 2012m 45s
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7. ES2
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Getting Started with ES23m 33s
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Series or Parallel?6m 34s
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Composing with the ES210m 26s
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8. EXS24 Sampler
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Getting Started with EXS243m 29s
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Composing with the EXS249m 5s
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9. EVB3 Tonewheel Organ
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Using the EVB3 effects5m 43s
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Composing with the EVB311m 27s
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10. EVP88 Electric Piano
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Getting Started with EVP882m 46s
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Selecting a piano model1m 17s
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Musical example6m 37s
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11. EVD6 Electric Clav
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Getting Started with EVD62m 29s
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Using the EVD6 Effects5m 24s
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Composing with the EVD69m 27s
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12. The Sculpture Modeling Synthesizer
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Sculpting with the filter7m 37s
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Understanding the Body EQ6m 34s
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Employing the Morph Envelope9m 48s
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Composing with Sculpture10m 52s
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13. Ultrabeat Drum Synth and Step Sequencer
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Shaping with the envelopes7m 21s
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Building a kick drum8m 18s
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Synthesizing a snare drum8m 31s
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Creating a hi-hat4m 34s
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Utilizing the side chain9m 2s
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Composing with Ultrabeat14m 13s
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14. Klopfgeist
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Conclusion
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What's next?1m 12s
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Video: Modulating sound with the Leslie Rotor Cabinet