From the course: Audio Foundations: Delay and Modulation
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Get in the Mix: Double tracking
From the course: Audio Foundations: Delay and Modulation
Get in the Mix: Double tracking
Alright, remember how a long delay, a delay time greater than 50 to 60 milliseconds, results in an audible echo? We've used delay times of a 100 milliseconds or more to create interesting echo effects. But let's shorten that delay time, pull the delay time down below 50 millisecond, down to say 20 or 30 milliseconds, do that, and the sound changes. We can no longer hear the output of our delay as a separate repetition of the sound. It no longer echoes, in fact, this amount of delay time makes one track sound like two, we call this doubling. The term comes from the technique of double tracking, this is when you record your singer and, after you capture a performance you think is perfect for the tune. You go and record it again on a different track. The goal is to have two perfect performances, so that when you mix them together, the vocal track sounds more interesting, rich, textured. If you don't have the actual double track, you can simulate it using a medium delay. The idea is that…
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Contents
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LFO2m 39s
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Get in the Mix: Modulation rate and depth7m 32s
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Get in the Mix: Modulation shape7m 43s
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Delay effects examples in various plug-ins3m 52s
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Medium delays1m 3s
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Get in the Mix: Chorus5m 54s
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Get in the Mix: Double tracking6m 23s
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Get in the Mix: Spreaders and thickeners11m 53s
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