Join Joe Godfrey for an in-depth discussion in this video Examining the audio files, part of Final Cut Pro X & Logic Pro X: 2 Mixing Dialog, Music, and Effects.
to this project from top to bottom. … Of course, depending on the size of the project … this could take anywhere from a … few seconds to an hour or more. … In our case, we have about 90 seconds … so on this first pass, I guess … you could call this the triage pass … I'm listening for obvious problem areas … music level down, oh, you know, that much. … This is not precise but just so we can... … The music is not distracting us and let's give it a listen. … - Renata Hogone, you have been sentenced … by the state to die at midnight. … (Interpreter speaks in foreign language) … Do you wish to make any final statements? … (Interpreter speaks in foreign language) … - You do not have to answer these questions. … This is just for you to express any final thoughts. … (Interpreter speaks in foreign language) … (Renata speaks in foreign language) … Is there anything you think you … should say, or you want us to know? … (Interpreter speaks in foreign language) … (Renata speaks in foreign language) …
Award-winning sound designer Joe Godfrey has developed a system for handing off the dialog, music, and effects mix from a Final Cut Pro timeline to Logic Pro. Why Logic? Many of the tools the Final Cut editor is using began there, and Logic has great tools that can be applied to dialog, music, and effects, as well the final mix. There are some things you want to do—in the right order—and some common mistakes you want to avoid. This course covers them all. Learn how to import audio from Final Cut Pro X in Logic Pro X, fix any syncing issues, edit dialog to perfection, add special effects such as pitch shifting and automated EQ, enhance music, and bounce out the final mix, either as a composite track or stems that can be mastered separately.
- Importing AAF, OMF, and XML files
- Configuring your workspace
- Recognizing and solving sync issues
- Adding markers
- Mixing on the fly vs at the end
- Fixing dialog levels
- Fixing dialog texture and ambience
- Automating EQ parameters
- Autopunch for dialog and Foley
- Special effects (SFX) replacement and enhancement
- Finishing the mix: compression and limiting
- Export options: Composite vs. stems
- Archiving a project
Skill Level Intermediate
Final Cut Pro X Guru: Sync Sound Workflowwith Jeff I. Greenberg51m 44s Intermediate
Final Cut Pro X & Logic Pro X: 1 Audio Post Workflowwith Michael Towe1h 12m Intermediate
1. Building the Template
2. Editing the Dialogue Clips
3. SFX for the Movie
4. Mixing and Exporting
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