Join Alex U. Case for an in-depth discussion in this video Choosing the right reverb for each of your tracks, part of Audio Foundations: Reverb.
As with all effects, your use of reverb is motivated by specific strategies, and the list of reasons to reach for reverb might be longer than you think. Of course, the very idea of reverberation, the resonant sound of a space, is intimately tied to the spaces where music happens. So we think of artificial reverb as a way to simulate the sound of a space in our recording. Simulating space is just the beginning. reverb can do so much more, and we cover all of these in this course.
reverb influences the timbre and the texture of the tracks in our multi-track productions. reverb also creates contrast, drier signals next to wetter signals so that listeners can hear more depth and detail and complexity in your multi-track production. reverb is often used specifically to emphasize certain tracks, phrases, or moments of musical magic, enhancing their own audibility and attracting the listener's attention. reverb can also do the opposite, it's sometimes used to blur and obscure elements of your multi-track mix, to shade things in, to make people work a little harder, piquing their interest, triggering a search for those complexities in your recording that they may not notice on the first or second listening but that they hope to find next time they hear it.
reverb is also an essential storytelling tool. We can use it to help invoke a scene change where one part of the song has a very different reverberant quality than another. We sometimes shift the reverb as we go from bridge to chorus and from chorus to verse and so on so that the features of our mix support the composition and arrangement as much as possible. Lastly, reverb is the basis for several sound synthesis techniques, gated reverb, reverse reverb, using convolution to contrive wholly new works of audio fiction, pitch shifting the reverb, and more.
Using reverb is the basis for sort of sound creation, sound design, or sound synthesis technique knows no bounds. This course dedicates more than a dozen movies for this long list of reverb Effects showing you how to think about each type of effect and choose the right reverb with the right parameters for the job. Next we'll start with the most natural and most obvious use of reverb, simulating space.
These techniques can be practiced with the free Get in the Mix sessions, currently available for Pro Tools and Logic Pro.
- What is reverb?
- Understanding how acoustic reverb works in rooms
- Working with the signal flow, effects loops, and available CPU resources
- Understanding core parameters, like reverb time and pre-delay
- Simulating space
- Creating nonlinear reverb
- Building pre-delay effects
- Using reverse reverb
- Using convolution correctly
Skill Level Appropriate for all
Q: This course was updated on 4/16/2013. What changed
A: We added a bonus chapter, "Advanced Reverb Techniques," with new movies on setting up your own reverb chamber, using convolution to simulate a space, and getting great impulse responses.
Q: This course was updated on 01/24/2014. What changed?
A: The Get in the Mix videos have been updated to the most recent version of Pro Tools. Also, the course now includes free Get in the Mix sessions for two more DAWs: Logic Pro X and Pro Tools 11.