Join Joe Godfrey for an in-depth discussion in this video Autopunch and Swipe Comping for ADR and Foley, part of Final Cut Pro X & Logic Pro X: 2 Mixing Dialog, Music, and Effects.
- [Instructor] In this movie, we'll look at the options … for replacing a line of dialogue in our scene. … I'm going to show you the process for ADR, … automated dialogue replacement, … but the process for Foley, … doing a sound effect to picture, would be the same … except you might want a little more pre and post roll, … if you're the one doing the Foley, … so you can get your props organized. … So our actor says the line... … Actually, let me type the letter X, get rid of that mix, … overlay, and it's this line here, I think. … - This is just for your to express any … - (speaks in foreign language) … - [Instructor] Actually, it's this line here. … - [Actor] Is there anything you think you should say … or you want us to know? … - (speaks in foreign language) … - [Instructor] So our actor says … the line, "Is there anything you think you should say, … or you want us to know?" … So let's look at a couple different scenarios. … One is just to replace a word or two like you might do … if the actor said a saucy word and you need something …
Award-winning sound designer Joe Godfrey has developed a system for handing off the dialog, music, and effects mix from a Final Cut Pro timeline to Logic Pro. Why Logic? Many of the tools the Final Cut editor is using began there, and Logic has great tools that can be applied to dialog, music, and effects, as well the final mix. There are some things you want to do—in the right order—and some common mistakes you want to avoid. This course covers them all. Learn how to import audio from Final Cut Pro X in Logic Pro X, fix any syncing issues, edit dialog to perfection, add special effects such as pitch shifting and automated EQ, enhance music, and bounce out the final mix, either as a composite track or stems that can be mastered separately.
- Importing AAF, OMF, and XML files
- Configuring your workspace
- Recognizing and solving sync issues
- Adding markers
- Mixing on the fly vs at the end
- Fixing dialog levels
- Fixing dialog texture and ambience
- Automating EQ parameters
- Autopunch for dialog and Foley
- Special effects (SFX) replacement and enhancement
- Finishing the mix: compression and limiting
- Export options: Composite vs. stems
- Archiving a project
Skill Level Intermediate
Final Cut Pro X Guru: Sync Sound Workflowwith Jeff I. Greenberg51m 44s Intermediate
Final Cut Pro X & Logic Pro X: 1 Audio Post Workflowwith Michael Towe1h 12m Intermediate
1. Building the Template
2. Editing the Dialogue Clips
3. SFX for the Movie
4. Mixing and Exporting
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