Join Bryan O'Neil Hughes for an in-depth discussion in this video Thinking in black and white, part of Black and White with Lightroom and Photoshop.
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- Back in the film days, shooting black and white…was very intentional.…You would load black and white film into the camera,…and you would just shoot black and white,…so you tended to walk around…thinking in black and white,…and that same sort of thinking is really important…if you want to go out and shoot for black and white imagery.…Now, you can look at it later and you can figure out…what to do with the images that you have,…but if you're going out in order to shoot…black and white images, it'll help to look at the world…a little differently, kind of like we did…back in the film days, so try to see through the lens…with a black and white image.…
Contrast, tone, shadow,…texture, lines, you're looking for…that subtractive content.…The composition of the image becomes much more important,…you have the ability to look at things…in a more abstract way, but you really wanna…latch on to little details that will lend themselves well…to removing color, which is to say that…if you're gonna take a picture of a sunset,…
- Why black and white?
- Shooting with black and white in mind
- Preparing color images
- Black-and-white mixing and adding toning
- Utilizing presets effectively
- Creating black-and-white HDR images with Lightroom and Photoshop
- Taking advantage of black-and-white adjustment layers
- Adjusting the toning of images
- Working with the Silver Efex plugin
- Converting to black and white on the go