From the course: InDesign Secrets
352 Best default RGB - InDesign Tutorial
From the course: InDesign Secrets
352 Best default RGB
- [Narrator] I want to share something about color and InDesign's color management tools that most users don't know about. And in fact, it's kind of non-intuitive. If you want consistent color among InDesign and Illustrator and Photoshop, then you may have heard that you need to go to the Edit menu, and then choose Color Settings. And you're supposed to do this in all three programs. And then, you're supposed to come up to the Settings menu and choose the same setting in all of those programs. That way, this little diagram up here will say that it's synchronized color. Now while that does sound good and it can work in some situations, I'm here to tell you that it's not really true. You often don't want the same RGB and CMYK settings in all of your programs. Now first of all, I do need to point out that here in InDesign, any changes you make to this dialogue box, the color settings dialogue box only affects future documents that you create. This does not change the current document or old documents that you've made, just new ones. Also, this settings pop-up menu here primarily loads up different settings down here. For example, it chooses a different RGB and CMYK working space. Now I know this is kind of geeky but here's the thing about these RGB and CMYK menus. You usually do want the same CMYK values in all three programs, InDesign, Photoshop, and Illustrator but you probably do not want the same RGB value up here. Before I show you what I like choosing in InDesign, I'm gonna switch over to Photoshop and I'm going to show you what I like choosing here. I'll go to the Edit menu, I'll choose Color Settings, and here on Photoshop, I like choosing Europe Prepress 3 from the settings pop-up menu. When I do that, my RGB working space is set to Adobe RGB and the CMYK is set to Coded FOGRA39. Now I like this in Photoshop and Illustrator because this makes CMYK colors look closer to what we usually get on digital presses or other high quality printing presses these days. And here in Photoshop, I do want to use Adobe RGB unless I specifically choose otherwise. The sRGB working space is too narrow or constrained or working space for images that will end up in print. And it's even too annoying for images that may be repurposed so even for web images, I'd still rather edit using Adobe RGB and then convert the image to sRGB when I save the JPEG or PNG or whatever. So I really like Europe Prepress 3 for the color settings inside Photoshop and Illustrator. However, back here in InDesign, here I prefer using the Europe General Purpose preset. Now this gives me the same default CMYK profile so I'm going to get consistent CMYK colors which is good. It also turns off all of these policy check boxes here in the middle which is a relief because most people don't need to worry about those. And here's where it's important, it gets kinda wacky. RGB is set to sRGB but let me tell you why sRGB makes more sense than Adobe RGB here in InDesign. First, remember that this profile tells InDesign what RGB colors look like. It actually defines what red looks like and green and so on. But this sRGB color definition is only used in two situations. First, it's used if you spec a color inside your InDesign document as RGB. Now if you're choosing RGB colors in InDesign, then you're probably making an interactive document, which is going to be viewed on screen. And if that's the case, then sRGB is the right profile to be using. Now the second time that this setting is used is if you import an RGB image into InDesign that has no embedded profile. Now this is the important part, if the image has no profile, then it probably means that it didn't come from Photoshop, which means you probably got this image right off of a website and if that's the case, then sRGB is the safest bet for our color space. So using sRGB for InDesign's default color working space just makes more sense. Now I know that's really geeky and I know you do see this label up here that says they're unsynchronized apps but that's okay. This is one situation where thinking it through is better than just doing what Adobe says.
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Contents
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229 Batch converting ID files to current version with the Book panel6m 9s
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230 Getting around InDesign limitations6m 46s
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231 Creating better callout lines with effects and object styles5m 47s
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232 Swapping column and row information in tables6m 9s
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233 Making bigger text link targets4m 52s
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161 Keeping page numbers on top of master items3m 55s
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162 Adding automatic currency symbols in a table cell or before text3m 50s
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163 Make a pop-up footnote for your ebook3m 48s
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164 Deleting tabs at the beginning of paragraphs and applying a paragraph style3m 10s
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165 Five InDesign Presentation tips6m 28s
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111 Packaging images on the pasteboard3m 32s
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112 Automatically updating figure references for books6m 9s
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113 Adding Tool Tips to your form fields in InDesign3m 21s
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114 Setting poetry, flush left, center on longest line3m 54s
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115 Use bookmarks to navigate long documents in production4m 57s
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107 Using the same keyboard shortcut for two different commands with the Context feature5m 22s
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108 Making a text highlighter3m 33s
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109 Updating an interactive PDF without losing work done in Acrobat5m 30s
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110 Adding custom text at the beginning of each line automatically4m
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089 Three great Object Styles for any designer8m 1s
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090 Choosing alpha channel image transparency2m 25s
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091 Adding and reading metadata for InDesign files3m 25s
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092 Adding ALT tags to your images6m 59s
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093 How to Place & Link a text frame's text but not its formatting7m 4s
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094 Setting the baseline position of a caption2m 39s
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051 Five things that should be in every new file5m 19s
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052 Forcing EPUB page breaks with invisible objects6m 21s
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053 Understanding component information6m 39s
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054 Creating running heads using section markers4m 16s
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055 Making a font with InDesign using the IndyFont script5m 20s
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056 Finding where that color is used7m 17s
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047 Specifying an exact amount of space between objects5m 17s
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048 Fixing last lines that are too short8m 16s
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049 Creating web graphics from your InDesign artwork7m 20s
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050 Using “No Language” to suppress unwanted hyphenation, spell-checking, and smart quotes2m 48s
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037 Updating a linked table without losing formatting5m 18s
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038 Creating electronic sticky notes4m 49s
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039 Moving master page items to the top layer for visibility2m 48s
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040 Five guide tricks that will impress your coworkers6m 18s
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041 Letting InDesign add the diacritics4m 21s
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042 Using single-cell table cells for custom paragraph formatting6m 2s
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027 Creating running heads using variables5m 1s
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028 Live Caption tips and tricks8m 3s
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029 Making professional drop caps10m 37s
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030 Making two-state buttons in interactive documents5m 5s
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031 Moving pages from one document to another3m 15s
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032 Wrapping bulleted text around a curve5m 58s
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007 Selecting through and into objects using cmd-click and Select Above/Below5m 46s
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008 Some great tips and tricks for the Swatches panel9m 40s
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009 Saving down for backward compatibility with INX and IDML5m 54s
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010 Using the INX and IDML formats to fix problems4m 46s
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