From the course: Illustrator: Digitizing and Refining Sketches
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Taking the rough composite to a refined sketch - Illustrator Tutorial
From the course: Illustrator: Digitizing and Refining Sketches
Taking the rough composite to a refined sketch
- Once I have all of these separate elements kind of drawn out, I need to create a composite I can do a refined sketch from. I'll scan all of these into Photoshop and I'll compose what I call a final, a rough composite, which is shown here. I usually blow this up larger as it's shown here, and this is now what I'm gonna draw out in a more refined form. In this case, using my mechanical pencil. This is where my vellum will come into it again. I'll just take a sheet of vellum and we'll go ahead and tape this in place. I try to align it with one side of the paper, so when I go to scan it in, it's easy to get the orientation correct. You can see what that looks like. As I draw, I might slide another sheet in here, so it diffuses the light a little more, and that's all I'm gonna do now. I'm gonna now refine this drawing, and draw it out in such a way, I know exactly the shape I need to build in Illustrator. I'm close in terms of my rough composite, but not close enough to build from, This…
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Contents
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Developing initial mockups and combining them into a rough composite6m 54s
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(Locked)
Taking the rough composite to a refined sketch5m 50s
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(Locked)
Getting started on the refined sketch5m 28s
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(Locked)
Sketching downy feathers in the tribal style4m 6s
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(Locked)
Determining the profiles of additional feathers3m 1s
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(Locked)
Finalizing the sketch for Illustrator8m 19s
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