I've saved my progress as Left half complete.ai found inside the 04_line_art folder. Now what we're going to do is take this left half and flip it to create the right half, because there's no sense in redoing everything we've done. You could draw three more arcs of course and then trouble yourself with having to exactly match the one of left-hand side and then join them all together that is possible, but that would be a lot more work and you wouldn't get as good a result. So frequently inside of Illustrator, you're looking for the shortcut that produces the best results possible.
In our case, flipping is the solution. So I'm going to go ahead and click on this path outlined with a Black Arrow tool in order to select it. Again, what you want to look for when you're trying to select paths. I will click off of here again. You're looking for that little black square next to the arrow cursor. That tells you you're hovering over something that you can select. Click on it and now it's selected. Now then there is a variety of different ways to flip objects inside of Illustrator. For example, I can bring up that Transform panel once again and I could click on this itty-bitty little flyout menu icon and then I could choose Flip Horizontal.
But it'll do this number which doesn't do me any good whatsoever. Now I have a right half of the heart in the wrong location. So, I'll go and then press Ctrl+C, Command+C on a Mac to undo that modification. Instead what you want to do is something that doesn't seem like the right approach. You're going to a select a tool. There's actually a Reflection tool inside of the Illustrator, and that's really unusual. There are very few programs out there with Reflection tools and Illustrator has had one since Illustrator 1.0. You get to it by clicking and holding on the Rotate tool and then choosing the Reflect tool.
Notice it has a keyboard shortcut of O. Now, the letter O doesn't appear anywhere inside Reflect. However, you can remember it because it is the ultimate in symmetrical letters. Its right half is just like his left half and its top half is just like its bottom half. So go ahead and select it. Now what you want to do, and this sounds so weird, but this is like the way you use this tool. There are other ways to do it, but this is the way. You Alt+Click or Option+Click at the location where you want to set the mirror about which you want to reflect the object. So in other words, in our case we want to go ahead and reflect this left half of the heart over on this side so the mirror should be right down at the middle of the heart.
So you can Alt+Click or Option+Click at either this top anchor point or the bottom anchor point. Your choice, they are both located at the same guideline. So I'm going to Alt+Click here or Option+ Click at that location and notice in my case right away Illustrator goes ahead and throws the reflection on the right-hand side of that click point. Now why did I Alt+Click or Option+Click? To bring up this dialog box right here. If you just click or click and drag with the tool, you're going to have to apply the reflection manually and it's kind of bizarre, the way this tool works.
Whereas if you Alt+Click or Option+ Click to bring up the dialog box, it behaves very, very well. So I'm here to tell you as a long-time user of the software, this is what you do with this tool. You get it. You Alt+Click or Option+Click with it to bring up the Reflect dialog box and you get to work. Now you don't say I want to flip something horizontal or I want to flip something Vertical. That would be too easy. Instead, you have to select an axis. In other words, are you going to a flip across the Horizontal axis, which would be a vertical flip or are you going to flip across a Vertical axis, which would be a horizontal flip, or are you going to use an angled axis which takes some thinking in order to figure out.
So, notice that if you choose Horizontal, you're going to get this result here which is pretty obviously wrong, I think. So go with Vertical instead. Basically if you're having prompts figuring out, just try one. If it doesn't work, then try the other. Keep Preview on so you can see what you're doing. Now if you click OK, you're going to flip that half a heart. You don't want to do that. You want to click Copy in order to make a duplicate. So click the Copy button and now you have a whole heart, but notice that we are not joined, so what we're not getting is a nice point at the bottom of the heart.
So I'm going to switch back to my Black Arrow tool and I'm going to marquee these two heart shapes like so, and then I will press Ctrl+J or Command+J on the Mac and I want you to watch something. Actually, I'm going to zoom in here to the bottom of the heart, so you can see this happen. As soon as you press Ctrl+J or Command+ J on the Mac, you're going to fuse these two endpoints into one and you're going to complete the Miter Join. This is known as a Miter Join. You can just think of it as being the point that was missing at the bottom of the heart.
Now we don't have a Miter up here at the top of the heart, and that's because what would happen if you are able to get a Miter Join to draw right here, it would be so deep it would stab all the way through the heart, because of the radical incline at which these two curves are meeting. So there is no point in even trying to pull it off. We're going to leave what's known as a Bevel Join in place there, because we're going to cover it up with a different object. But now we have a beautifully rounded classic heart shape. In the next exercise, we're going to drawn a target inside of it.
Author
Released
5/28/2010- Creating great art using basic tools
- Brushing and building organic artwork
- Scaling and rotating path outlines
- Creating and formatting text
- Drawing articulated paths with the Pen tool
- Combining paths with Pathfinder operations
- Printing and exporting to the web
Skill Level Beginner
Duration
Views
Q: I was not able to locate my saved shortcuts and cannot locate the folder I created to place the preferences into. The Illustrator steps are clear and using the search function I should be able to find the folder, but it cannot be located. How can I find the shortcuts file on a Mac?
A: To search for the shortcuts file on a Mac, press Cmd+F. Then change the option that says "Kind" in the top-left corner to System Files by choosing "Other" and selecting "System Files" from the menu.



Q: The instructions for installing the dekeKeys don't work on my computer (which is running Mac OS X Lion). Is there an update to these?
A: The dekeKeys distributed with this course will still work for Lion. You just need to add them to a slightly different folder than in previous versions of OS X.
Open a new Finder window and choose Go > Go to Folder. Type the following file path exactly as written below. Copying and pasting may result in an error.
~/Library/Preferences/Adobe Illustrator CS5 Settings/en_US
Move and/or copy/paste the dekeKeys to this folder and follow the rest of the instructions as outlined in the video, "Installing the dekeKeys keyboard shortcuts."
Related Courses
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Deke's Techniques
with Deke McClelland155h 5m Intermediate
-
Introduction
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Remapping OS shortcuts6m 56s
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1. Making a Document
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Managing artboards1m 20s
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The Welcome screen3m 49s
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Creating a new document7m 13s
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Advanced document controls6m 52s
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Auto-arranging artboards3m 42s
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Rulers and artboards6m 40s
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Saving a native AI document7m 25s
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Closing all open documents2m 45s
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2. Navigation and the Workspace
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Using tools to zoom and pan5m 56s
-
Scroll wheel tricks2m 13s
-
The tabbed-window interface6m 17s
-
Closing all but one document3m 30s
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Saving a custom workspace4m 57s
-
Hiding the bounding box4m 27s
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Keyboard increments7m 15s
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Cycling between screen modes5m 21s
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3. Opening Documents and Getting Organized
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Opening a document5m 2s
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Introducing Adobe Bridge6m 6s
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File-type associations4m 3s
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Previewing and collecting8m 17s
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4. Basic Line Art
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Everything is anything1m 14s
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Meet the line tools3m 30s
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Saving large layer previews5m 50s
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Creating custom guides5m 31s
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Creating a heart using arcs3m 51s
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Adjusting control handles4m 13s
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Drawing a line segment4m 51s
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Rotate, Fill, and Stack4m 37s
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Drawing a looping spiral4m 41s
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Tracing a template layer5m 1s
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Selecting similar objects3m 32s
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5. Geometric Shapes
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The anatomy of a path1m 41s
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Meet the shape tools3m 32s
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Creating a compound path4m 29s
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Drawing rounded rectangles3m 28s
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Aligning to a key object3m 47s
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The constraint axes4m 11s
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Using the Flare tool5m 32s
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6. Paint, Build, and Transform
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Painting artwork from life1m 21s
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Tracing a photograph2m 41s
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Draw, Move, and Duplicate5m 27s
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Rotating and duplicating6m 1s
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Pressure-sensitive input4m 24s
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Using the Shape Builder tool4m 57s
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Establishing design groups5m 54s
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When to rotate vs. reflect4m 55s
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Simulating beveled edges6m 46s
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7. Swatch, Stroke, and Stacking Order
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The Document Color mode6m 20s
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Introducing the Stroke panel4m 46s
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Cap, Join, and Miter Limit6m 42s
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Managing color swatches4m 55s
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Filling paths inside groups6m 24s
-
Adjusting the stacking order7m 44s
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Combining multiple fills5m 29s
-
Creating a tile pattern9m 2s
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The new CS5 arrowheads5m 44s
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Creating a callout line7m 1s
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Width tool tips and tricks8m 47s
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8. Working with Type
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Next-generation text1m 19s
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Making a margin guide5m 7s
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Offsetting flush-left text4m 47s
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Placing and threading text6m 18s
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Working with point text7m 10s
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Redefining paragraph styles6m 42s
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Using the Glyphs panel6m 41s
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Spell-checking text4m 24s
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Updating a graphic style5m 43s
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Creating type on a path7m 26s
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Adjusting baseline shift4m 18s
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9. Using the Pen Tool
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Moving and deleting points7m 46s
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Editing a path as you go7m 5s
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Faking a spline curve5m 54s
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Adding corners to a spline7m 15s
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How control handles work10m 17s
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Aligning open paths5m 38s
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Splitting and joining paths8m 51s
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Cusp points and miter limits6m 45s
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Using the Convert Point tool4m 42s
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Stacking clipped paths4m 28s
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10. Pathfinder Operations
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Unite closed, join open4m 46s
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Switching shape modes4m 43s
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Adding to a compound shape5m 32s
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Outline Stroke and Unite3m 37s
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Painting in the foliage5m 23s
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Filling in and erasing away6m 31s
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Painting more precise holes5m 17s
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Adding in rough edges7m 53s
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Contouring roots and limbs8m 56s
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Filling in the limbs4m 19s
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Using the Divide operation5m 46s
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11. Printing a Document
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Converting type to outlines8m 55s
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Setting trim size and bleed6m 22s
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Stroking a placed image4m 54s
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Filling in your bleeds5m 34s
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Troubleshooting weak blacks6m 36s
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The General Print options5m 20s
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Placement, scale, and tiling6m 39s
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Trim and printer marks6m 23s
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Warnings and document raster5m 21s
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12. Exporting to the Web (and Elsewhere)
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Saving a high-contrast GIF7m 18s
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The versatile PNG format6m 33s
-
Saving a full-color PNG4m 47s
-
Placing an AI Smart Object7m 38s
-
Conclusion
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Until next time1m 33s
-
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Video: Reflecting across a vertical axis