In this exercise, we're going to create a new document inside of Illustrator. Here I am looking at the Welcome Screen and over here on the right side of the screen we have a bunch of Create New options, and you can click on any one of these items in order to create a new document. And all these are is presets by the way, a Print Style Document, which is designed for commercial reproduction by the way, where you actually take the file into a commercial printer and get multiple copies made of it. You can create a new Flash Catalyst Document, we'll see how that works in a much later chapter, a new Web Document, and so on. These are just presets though, as I say, meaning that you can override the settings inside the Print dialog box if you like and you can even change your mind much later than that, after you create the document, save it to disk, and so on. Another way to make a new document is to go up to the File menu and choose the New command or press Ctrl+N, Command+N on the Mac. And if this is the first time you've ever done this, then you will create a new Print Style Document, notice that right there, which is the exact same result as if you had clicked on Print Document in this list. Notice that the Welcome Screen persists in the background. No reason for that, because there's nothing you can do with it when you have the New Document dialog box open. I just want you to see that's the case. As soon as you click OK to accept your settings, both the New Document dialog box and the Welcome Screen in the background will disappear. Now, notice that our first option is to give this document a Name. Now, you don't truly name the document until you save it to disk, but when you give it a name here, you will see that name up in the Title bar. So I'll go ahead and call this, My corporate illustration or something along those lines. And that's a fairly generic name, but it's something to get me started any way, and that's what I recommend you do. Just make a stab at the dark for now, just so that you have a sense of where you're going with your New Document. Next, you can select from a different Profile, we'll see how that works in a later exercise. But for now, I'm just going to leave it set to Print. Again, that's going to generate a CMYK document; Cyan, Magenta, Yellow, and Black, which is suitable for commercial reproduction. Here we can change the Number of Artboards. Now, you might think of Artboards as pages. So you can create multi-page documents inside of Illustrator CS5. By the way, that was a new feature inside of illustrator CS4. Believe it or not, in Illustrator CS3 and earlier, you were limited to single page documents inside of Illustrator. Now, the reason that Illustrator doesn't call them pages, it calls them Artboards, is because each and every Artboard can be a different size, a different orientation, that is upright or on its side, and it doesn't have to match any output paper size. However, for most of us, this will mean, if you change the number of Artboards to 6, for example, this will mean that you're creating a six page document. That's the way most of us will probably be working with Illustrator. However, I just want you to have a sense for Illustrator's unusual nomenclature. Next, you can specify how these Artboards are arranged when you zoom way out from your Pasteboard. So in other words, if you were to see all of your Artboards at the same time, would they be Gridded by Row? That is, page 1, followed by page 2 on the right, then later pages would be arranged into lower Rows. Or do you want to Grid by Column? So you're going to go from 1 to 2 down the Column and then over to 3 and 4 in the next Column and so on. Or do you want a big Row of Artboards or do you want a big Column of Artboards, up to you. And again, you can rearrange these Artboards later if you like, this is just a starting point. I'm going to go with 3 Columns here. So what that means is we're going to have 3 Columns, 2 Rows, because I'm asking for 6 Artboards. So the Artboards will be arranged 1, 2, 3 across the first Row and 4, 5, 6 across the second Row. You can switch over to a Right- to-Left Layout if you want to. This is specifically designed for international versions of Illustrator, because not all countries work with a Left-to- Right orientation as we do in Western countries. However, anybody can take advantage of this option if they want to. Next, you can specify the amount of Space between each one of your Artboards. This is purely a Preference setting, for your sake only. It doesn't affect how the Artboards print anything like that. Notice by default, I'm working with the Spacing value of 20 Points, and that's because my units are set to Points. Now, if you're wondering what's going on with Points? Points are 1/72 of an inch. So in other words, 72 Points fit inside of an inch. You might also think of it this way, that there are 12 Points inside of a pica and six picas inside of an inch. And this goes way back to the early traditional days of design here in the States and elsewhere. Otherwise, for those of you who work in metric countries, which is just about everything, except the States, you've got millimeters and centimeters at your disposal. I am, just for the sake of simplicity, going to switch over to Inches right now, and I'll change the Spacing Value to 0.5 Inches, half an inch between each page. Next, you can specify Size and you can select from predefined Paper Sizes if you like, but you don't have to work with the Paper Size. You could enter your own Size values. For example, I'm going to request Artboards that are 6 Inches wide and 8 Inches tall, and again, that's just a starting point. You can change the Size of your Artboards later on down the line if you want to, so that each and every Artboard is a different Size. Here are your Orientation options. You can work with Portrait style, that is upright pages, vertical ones. Or you can work with Landscape style, horizontal pages, or you can mix and match. Now, you can't mix and match here inside the New Document dialog box. You can mix and match later. Anyway, I'm going to stick with what I got, a Vertical orientation. And then I'm going to specify some Bleed Values. Now, a Bleed is specific to the world of commercial reproduction, and the idea is that you want your artwork to go all the way off the edge of the page. And the edge of the page is known as the trim size. And if you want to be able to trim right next to a graphic, so that it goes off the trim size, then you need to have some extra wiggle room, in case there's a little bit of misregistration during the printing process, otherwise you'll end up with a tiny white line right there next to that trim, and you don't want that. So the Bleed determines how far you go off the page with your artwork. I'm going to set my Bleed to 0.25 Inches or a quarter Inch, and notice that all of the Bleed value is changing kind, because I have this Link icon turned on. If you were to change them independently, you would turn Link off. Now, a quarter Inch of Bleed is more than enough Bleed. That's going to work out really nicely. And then I'll go ahead and click OK in order to create that New Document. Now, notice what we have here, each one of these black outlined rectangles is an actual Artboard, and then the red rectangles indicate the Bleed size that goes beyond that Artboard, and so we have an extra quarter inch of room right there and then we have a half inch between the edge of one Bleed and the next. Inside of Illustrator CS4, that Spacing value of a half an inch would have been the space between each one of the Artboards, now it takes into account the Bleed, which is actually a really great thing. And that my friends is how you create a new multi-Artboard document here inside Illustrator.
Author
Released
5/28/2010- Creating great art using basic tools
- Brushing and building organic artwork
- Scaling and rotating path outlines
- Creating and formatting text
- Drawing articulated paths with the Pen tool
- Combining paths with Pathfinder operations
- Printing and exporting to the web
Skill Level Beginner
Duration
Views
Q: I was not able to locate my saved shortcuts and cannot locate the folder I created to place the preferences into. The Illustrator steps are clear and using the search function I should be able to find the folder, but it cannot be located. How can I find the shortcuts file on a Mac?
A: To search for the shortcuts file on a Mac, press Cmd+F. Then change the option that says "Kind" in the top-left corner to System Files by choosing "Other" and selecting "System Files" from the menu.



Q: The instructions for installing the dekeKeys don't work on my computer (which is running Mac OS X Lion). Is there an update to these?
A: The dekeKeys distributed with this course will still work for Lion. You just need to add them to a slightly different folder than in previous versions of OS X.
Open a new Finder window and choose Go > Go to Folder. Type the following file path exactly as written below. Copying and pasting may result in an error.
~/Library/Preferences/Adobe Illustrator CS5 Settings/en_US
Move and/or copy/paste the dekeKeys to this folder and follow the rest of the instructions as outlined in the video, "Installing the dekeKeys keyboard shortcuts."
Related Courses
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Deke's Techniques
with Deke McClelland155h 5m Intermediate
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Introduction
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Remapping OS shortcuts6m 56s
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1. Making a Document
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Managing artboards1m 20s
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The Welcome screen3m 49s
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Creating a new document7m 13s
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Advanced document controls6m 52s
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Auto-arranging artboards3m 42s
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Rulers and artboards6m 40s
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Saving a native AI document7m 25s
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Closing all open documents2m 45s
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2. Navigation and the Workspace
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Using tools to zoom and pan5m 56s
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Scroll wheel tricks2m 13s
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The tabbed-window interface6m 17s
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Closing all but one document3m 30s
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Saving a custom workspace4m 57s
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Hiding the bounding box4m 27s
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Keyboard increments7m 15s
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Cycling between screen modes5m 21s
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3. Opening Documents and Getting Organized
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Opening a document5m 2s
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Introducing Adobe Bridge6m 6s
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File-type associations4m 3s
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Previewing and collecting8m 17s
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4. Basic Line Art
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Everything is anything1m 14s
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Meet the line tools3m 30s
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Saving large layer previews5m 50s
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Creating custom guides5m 31s
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Creating a heart using arcs3m 51s
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Adjusting control handles4m 13s
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Drawing a line segment4m 51s
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Rotate, Fill, and Stack4m 37s
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Drawing a looping spiral4m 41s
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Tracing a template layer5m 1s
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Selecting similar objects3m 32s
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5. Geometric Shapes
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The anatomy of a path1m 41s
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Meet the shape tools3m 32s
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Creating a compound path4m 29s
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Drawing rounded rectangles3m 28s
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Aligning to a key object3m 47s
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The constraint axes4m 11s
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Using the Flare tool5m 32s
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6. Paint, Build, and Transform
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Painting artwork from life1m 21s
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Tracing a photograph2m 41s
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Draw, Move, and Duplicate5m 27s
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Rotating and duplicating6m 1s
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Pressure-sensitive input4m 24s
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Using the Shape Builder tool4m 57s
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Establishing design groups5m 54s
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When to rotate vs. reflect4m 55s
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Simulating beveled edges6m 46s
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7. Swatch, Stroke, and Stacking Order
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The Document Color mode6m 20s
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Introducing the Stroke panel4m 46s
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Cap, Join, and Miter Limit6m 42s
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Managing color swatches4m 55s
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Filling paths inside groups6m 24s
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Adjusting the stacking order7m 44s
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Combining multiple fills5m 29s
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Creating a tile pattern9m 2s
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The new CS5 arrowheads5m 44s
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Creating a callout line7m 1s
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Width tool tips and tricks8m 47s
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8. Working with Type
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Next-generation text1m 19s
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Making a margin guide5m 7s
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Offsetting flush-left text4m 47s
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Placing and threading text6m 18s
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Working with point text7m 10s
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Redefining paragraph styles6m 42s
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Using the Glyphs panel6m 41s
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Spell-checking text4m 24s
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Updating a graphic style5m 43s
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Creating type on a path7m 26s
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Adjusting baseline shift4m 18s
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9. Using the Pen Tool
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Moving and deleting points7m 46s
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Editing a path as you go7m 5s
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Faking a spline curve5m 54s
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Adding corners to a spline7m 15s
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How control handles work10m 17s
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Aligning open paths5m 38s
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Splitting and joining paths8m 51s
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Cusp points and miter limits6m 45s
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Using the Convert Point tool4m 42s
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Stacking clipped paths4m 28s
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10. Pathfinder Operations
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Unite closed, join open4m 46s
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Switching shape modes4m 43s
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Adding to a compound shape5m 32s
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Outline Stroke and Unite3m 37s
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Painting in the foliage5m 23s
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Filling in and erasing away6m 31s
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Painting more precise holes5m 17s
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Adding in rough edges7m 53s
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Contouring roots and limbs8m 56s
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Filling in the limbs4m 19s
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Using the Divide operation5m 46s
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11. Printing a Document
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Converting type to outlines8m 55s
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Setting trim size and bleed6m 22s
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Stroking a placed image4m 54s
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Filling in your bleeds5m 34s
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Troubleshooting weak blacks6m 36s
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The General Print options5m 20s
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Placement, scale, and tiling6m 39s
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Trim and printer marks6m 23s
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Warnings and document raster5m 21s
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12. Exporting to the Web (and Elsewhere)
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Saving a high-contrast GIF7m 18s
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The versatile PNG format6m 33s
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Saving a full-color PNG4m 47s
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Placing an AI Smart Object7m 38s
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Conclusion
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Until next time1m 33s
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Video: Creating a new document