Join Jason Osder for an in-depth discussion in this video Using markers for timing in a Motion round trip, part of Final Cut Studio: Round-Tripping.
When it comes right down to it, editing is all about timing.…Sometimes you have a situation where it's really important that the graphics…that you build in Motion are going to time perfectly to the edits that you…make in Final Cut Pro.…The tool that you want in this case is markers.…And markers are really powerful through out Final Cut Studio.…In this lesson, we're going to add a marker for timing to our Motion…round-trip, and that's going to up our precision with Motion, but it's also…going to enter into using markers to pass information around Final Cut Studio…in all kinds of round-trips.…
Starting here in the FCP Timeline, I have a pretty standard talking head.…Let's play a bit of it.…(Male speaker: Beautiful scenery, plenty of places to ride, it just doesn't get any better than this.)…The task is to build what's called a lower third.…That's just an identifier that sits on the lower third of the screen and tells…us who we were seeing.…In this case, I want to pop- up at a very precise point.…
- Using audio from Final Cut Pro in Motion or Soundtrack Pro
- Enhancing motion effects made in Final Cut Pro in Motion
- Working with a multitrack project
- Matching EQ levels with Soundtrack Pro
- Refining Final Cut Pro 3-way corrections in Color
- Preparing the timeline for Color
- Reconforming projects
- Sending a sequence to Compressor for output
- Transcoding for DSLR and other workflows
- Automating compression
- Using the Final Cut Pro to Compressor to DVD Studio Pro workflow
- Making a still menu
Skill Level Intermediate
1. Motion Round Trips
2. Soundtrack Pro Round Trips
3. Color Round Trips
4. Compressor Workflows
5. DVD Studio Pro Workflows
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