Join Jason Osder for an in-depth discussion in this video Transcoding for DSLR and other workflows, part of Final Cut Studio: Round-Tripping.
Are you experimenting with new HT video on a DSLR camera?…Well, a lot of people are and you may have noticed that these formats do not…play well natively in Final Cut Pro.…This movie is about using Compressor to transcode native DSLR files and make…them ready for Final Cut Pro.…Now this word transcode, what does that mean?…That's converting your video to a new format while preserving its quality.…
So it's not compression, which makes things smaller and sacrifices quality to do so.…It's transcoding, a new format but equal quality.…Let's see how it works.…Here I have a file that came natively off of a DSLR camera.…This is just what it looks like when you take it off of the card and you'll…notice it is .MOV, a QuickTime file, but if we look closer we can play it, …but if we were to move it into a Final Cut Pro, it would not work well for us.…
If you've tried this, you find a lot of staggering and crashing and things like that.…And it's because the format is not made to work in Final Cut Pro.…It's too compressed.…
- Using audio from Final Cut Pro in Motion or Soundtrack Pro
- Enhancing motion effects made in Final Cut Pro in Motion
- Working with a multitrack project
- Matching EQ levels with Soundtrack Pro
- Refining Final Cut Pro 3-way corrections in Color
- Preparing the timeline for Color
- Reconforming projects
- Sending a sequence to Compressor for output
- Transcoding for DSLR and other workflows
- Automating compression
- Using the Final Cut Pro to Compressor to DVD Studio Pro workflow
- Making a still menu
Skill Level Intermediate
1. Motion Round Trips
2. Soundtrack Pro Round Trips
3. Color Round Trips
4. Compressor Workflows
5. DVD Studio Pro Workflows
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