Join Jason Osder for an in-depth discussion in this video Controlling variable data rate with compression markers, part of Final Cut Studio: Round-Tripping.
Have you ever been watching video on DVD or maybe online and it looks pretty…good, but you get to a certain part, maybe some animation or a title, and you…really see the compression then?…Have you ever noticed that?…Well, the truth is the different types of video require more information to…describe them well during compression and there is a technique to help deal with…this in the Final Cut Pro to Compressor workflow.…They are called compression markers and they allow you to tell compressor areas…that you think will need a little help during compression.…
Let me show you exactly what I mean.…I am in Final Cut Pro with a completed Timeline and I am pretty much ready to…send to Compressor but I am little concerned about one part.…It's right here at the end and it's this graphic.…(Music playing)…I feel like the animation that brings this in might just kind of fall apart and…not look so good after compression.…So I want to tell Compressor to look out for it by putting in some…compression markers.…
- Using audio from Final Cut Pro in Motion or Soundtrack Pro
- Enhancing motion effects made in Final Cut Pro in Motion
- Working with a multitrack project
- Matching EQ levels with Soundtrack Pro
- Refining Final Cut Pro 3-way corrections in Color
- Preparing the timeline for Color
- Reconforming projects
- Sending a sequence to Compressor for output
- Transcoding for DSLR and other workflows
- Automating compression
- Using the Final Cut Pro to Compressor to DVD Studio Pro workflow
- Making a still menu
Skill Level Intermediate
1. Motion Round Trips
2. Soundtrack Pro Round Trips
3. Color Round Trips
4. Compressor Workflows
5. DVD Studio Pro Workflows
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