Join Michael Towe for an in-depth discussion in this video Working with roles in the timeline, part of Final Cut Pro X & Logic Pro X: 1 Audio Post Workflow.
- [Instructor] In chapter four we're going to finish up…talking about roles and sub-roles…by talking about working with them in the timeline.…It's important that we know how to do this…because again we need to make sure…that everything has a role and everything…has a sub-role, because we're going to use those…to order our audio when we export…and send it off to sound.…All right so let's get started by double-clicking…our Inmate 14658 folder and then opening…our Inmate 14658 project.…
We want to make sure we are on the Chapter Four folder…and you're going to open the Chapter Four project…into the timeline.…At this point I'm going to hit Shift + Z…just to center everything up in my timeline,…and then I'm going to go over here and I'm going to make…all of these tracks just a little bit smaller…so we can get more on the screen here.…Now in Final Cut Pro 10.3 and above…you access roles and sub-roles a little bit differently.…It's over here under the Index button,…so we'll click on that Index button,…we're going to go over here to the Roles section of it,…
- What version of Final Cut Pro X should you use?
- Creating the 2-pop and tail pop
- Assigning roles in Final Cut Pro X
- Working with roles in the timeline
- Setting up your timeline for export
- Exporting to Logic Pro X via FCPXML
- Exporting to Logic Pro X AAF
- Working with the composite mix