Join Michael Towe for an in-depth discussion in this video Working with the composite mix, part of Final Cut Pro X & Logic Pro X: 1 Audio Post Workflow.
- [Instructor] In chapter six, we'll talk…about the final process of our round trip.…Getting our files back from the sound mixer,…dropping them back into our project timeline,…confirming sync, and making any final adjustments.…We'll discuss the process with both the composite mix…and with DME stems.…So, let's get started by looking at…working with the composite mix.…Okay, now we're going to go open the Inmate 14658 folder,…and then open the Inmate 14658 library.…
First thing I want you to do…is make sure you're on chapter six…with the chapter six keyword collection.…Now, the next thing that we need to do…is import our composite mix file,…but before we do that, I'm going to show you…how to import that file and give it a role at the same time.…So the first thing that we're going to do…is open up our edit role windows…with our Shift + E shortcut that we have created,…and then under the audio roles,…we're going to hit this plus to add a new role,…and we're going to call that Composite Mix.…
Hit the Enter key, and then I'm going to give this a nice red,…
- What version of Final Cut Pro X should you use?
- Creating the 2-pop and tail pop
- Assigning roles in Final Cut Pro X
- Working with roles in the timeline
- Setting up your timeline for export
- Exporting to Logic Pro X via FCPXML
- Exporting to Logic Pro X AAF
- Working with the composite mix