A lot of camera formats on the market internally film shots without a lot of color information. In color correction this can be problematic, as you will not have as much latitude when adjusting shots. Shooting RAW video gives you a lot of color information. In this video, author Nick Harauz explains why you want to consider shooting video in RAW.
- A lot of cameras on the market…internally capture shots that are compressed.…In color correction, this can be problematic,…as you won't have as much latitude…when adjusting your shots.…This is why it could be helpful to shoot…your video in a RAW format.…RAW will create a file with a flat look…but that contains a ton of color information…that can be adjusted in post.…Let's see how we can work with this.…- [Host] So, I'm here in my Chapter 6.1 project.…And what we're looking at is a R3D clip,…and R3D films in the RAW format.…
And one great thing is that we can actually adjust…the color of the clip using, first of all,…a third-party plug-in.…So we need to go to R3D site to download a plug-in…in order to work with the R3D…co-raw settings, so just something you have to keep in mind.…This is to see the R3D footage that is…in your final cut port-in project.…As well as be able to adjust what…I am about to show you and…again shooting RAW or even shooting LOG,…both are benefits in the color correction process…that you get to basically work with.…
Note: This version covers the October 2018 update to Final Cut Pro X, including new features such as the comparison view, auditions, compound clips, Photoshop LUTs, exporting to Resolve, and more.
- Using and customizing a color correction workspace
- Making basic corrections
- Previewing adjustments with auditions
- Fixing white balance
- Color matching shots
- Adjusting curves
- Creating a secondary color selection
- Combining shape and color masks
- Applying creative looks with color correction presets
- Creating lookup tables (LUTs) in Photoshop
- Applying filmic looks and effects
- Working with HDR video
Skill Level Intermediate
Final Cut Pro X v10.1.x: Effective Storytellingwith Diana Weynand3h 53m Intermediate
Final Cut Pro X Guru: Creating Speed Changeswith Jeff I. Greenberg44m 57s Intermediate
Final Cut Pro X Guru: Online OfflIne Workflowswith Jeff I. Greenberg49m 30s Intermediate
1. Evaluating and Adjusting Images
2. Making Basic Corrections
3. Working with Curves
Adjusting curves7m 51s
4. Making Secondary Corrections
5. Making Creative Corrections
6. Working with Raw Video
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