Join Steve Holyhead for an in-depth discussion in this video Using sync locks, part of Migrating from Final Cut Pro 7 to Avid Media Composer 5.5.
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- Exercise Files
In the 07_03 subfolder I've got a bin called Sync.…Inside there, there is a sequence called fine_cut_interview.…You can see that it's got three video tracks and four audio tracks.…Now there is a sync relationship between the material on V1 and the audio on A1…and A2, and that's because this material was either captured or imported…together into the system.…This could be called an Explicit Sync Relationship because Media Composer can…detect this relationship and will tell us if it gets changed.…
However, by virtue of the edits of working on this piece and putting things…together in the current pattern that they're in and the material on A3 and A4,…there is an implicit sync relationship between all of the tracks of material.…This implicit sync relationship is not detectable by Media Composer.…For example, if I parked at the head of interview clip 4 and I entered into…Trim mode--let's activate Ripple Trim mode--and we wanted to trim let say the…video track V1 and A2,…now let's say I added material on to the head of just V1 and A2 here,…
- Working with clips, bins, folders and the project window
- Customizing user settings and keyboard layout
- Importing video, audio, and graphics
- Accessing clips from other projects
- Comparing backup structure
- Organizing media and project assets
- Understanding media resolution and locations
- Editing in the timeline
- Mixing audio
- Compositing with keyframes
- Creating titles
- Color correcting footage
- Preparing and outputting master sequences
Skill Level Beginner
1. Comparing Interface and Application Basics
2. Understanding Media, Projects, and Levels of Organization
Comparing backup structure9m 51s
3. Taking Control of Media Composer
4. Linking, Importing, and Managing Media
5. Organizing, Viewing, Logging, and Searching
6. Understanding the Basics of Editing
7. Editing in the Timeline
8. Understanding Audio
9. Adding Effects and Finishing
10. Delivering Masters for Web, DVD, and More
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