From the course: DSLR Video Tips: Software
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Using SpeedGrade presets
- Welcome back and on our continuing quest to sort of find out what the film look is, we're lucky enough today to have rock star colorist Patrick Inhofer here on set with us and Pat, I know that you do a lot of color grading, you have a lot of diverse clients. The thing that I've always found is that clients always want the film look, but they don't quite know what it is. - No and oftentimes they don't put the work into the film look. What makes a feature film look like a feature film, a big block? Well you know what it is, it's preparation, money for preparation, right? It's going out and doing the camera test, it's knowing the sweet spot with your lens, with the camera you're shooting with, with how you plan on lighting, it's talking to the art director and making sure the colors are there and the color palettes, right? - Yeah, so but like in post though, what do you think 'cause inevitably we're gonna have clients that are not going to spend millions of dollars doing all that…
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