From the course: Final Cut Pro X Weekly
Upgrading safer - Final Cut Pro Tutorial
From the course: Final Cut Pro X Weekly
Upgrading safer
- [Jeff] Welcome to Final Cut Pro X Weekly, this is Jeff, Nick's not here, and I'd like to talk to you this week about upgrading safer. Basically, it's the idea that there's some preparation you should do before you upgrade your OS or upgrade Final Cut X. I want to go through those rules, I want to show you about backing up Final Cut X just in case, I want to show you how, when you go to upgrade your system, you should check and repair it, using the macOS Recovery partition, and last, that Time Machine isn't enough. If you really want to be safe, you'll clone your entire system. Let's start with the rules. Biggest rule people miss is never to upgrade mid-project. Yes, Final Cut Pro X, the whole team is amazing. But all you need to have happen is there to be some little bug that's particular to you. You've upgraded everything and now you can't go back. So before you upgrade, you want to backup everything, and the biggest thing you want to backup is that library for Final Cut X. If you really want to be safe, you'll take your actual live project and you'll export an iXML of it. I'm going to show you how to do that now. So here, I am inside a Final Cut Pro X. I want to go up to the file menu, I'm going to choose export XML, and it's going to export the project that's currently loaded right now into the timeline. When I choose export, I get my dialogue box, and I'm going to choose current project 1.8 and export this out. You can import that back in to a brand-new library, and it's going to retain everything. And this is the only way that you can kind of revert back. You're going to want to export an XML for every single project you're working on. You'd go into a brand-new library, import this XML, and go ahead and link up to your media. This is the safest sort of meta-way to keep all of your information, at least in your project itself. Now, we run into a problem with Final Cut X itself. I want to have a full backup of the application, and the problem is, you can't download old versions of the app. So here's Final Cut Pro in the app store. I can open it, I can look at the version history here, but what I can't do is I can't go to an older version. So what I do about that is make a copy out of my applications folder, and I put it on another drive and then zip it up. You can see on my system I have the last versions of 10.0, 10.2, 10.3, and maybe one day, 10.4. So I've backed up Final Cut, compresser in motion, and then I actually right click and compress them and label the older version. That way I can go back. Let's talk your Macintosh. Say you're switching from High Sierra to Mojave. What you should note before you go to do that upgrade is that you should run the Mac OS Recovery. Now, the problem is, the disk utility can't do a repair of a live operating system. While I can run this first-aid on my boot system, the problem I'm going to run into is, it's got to lock that system, and it won't actually be able to do repairs. It'll force you to use the recovery partition. So a different way you might choose to work is this. You might boot with command+R and get into the recovery partition. Now, this is a screenshot of mine, because I couldn't do a screen recording. This now allows me to target my system and do a first-aid on it. Whenever I run into a problem, I repair it twice. I like to do this first-aid before I do an OS level upgrade, so I guarantee my system is working as well as it can. This, for me, is the easiest alternative so I don't have to do a full clean install. The last thing I'm going to suggest to you, before you do any of this stuff, and you should be doing this all right now anyways, is to clone your system. And the thing about cloning your system is that you could use the disk utility from that Recovery Boot mode, but I prefer to use Carbon Copy Cloner or SuperDuper!. I run this on weekly basis, and in doing so, it means that my system is totally cloned, and the beauty of that is, if you upgrade Final Cut or you upgrade your OS, something goes wrong, you can go to that clone and use that instead, going truly back in time better than Time Machine does. So I'm going to go ahead and hit clone, and it's going to sit back and clone my system into a disk image, and in doing so, I have a perfect copy of my system. And I do this, as I said, on a weekly basis. This has been Final Cut X Weekly. Thanks for watching.
Contents
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Why the Range tool should be your favorite and why to use it more5m 26s
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It’s all about the color board9m 53s
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5 things you should know about Motion 510m 34s
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The ultimate short guide to mastering speed effects6m 52s
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3 things you should use Compressor for right now6m 38s
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5 keyboard shortcuts you should know in FCPX7m 9s
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Uploading videos to the web4m 27s
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Setting up workspaces5m 8s
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AE workflows10m
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Cool things about the Info panel5m 36s
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5 tricks for dealing with the inventible stills montage8m 35s
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Animation in a hurry: Have no fear, custom text is here7m 9s
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The least you need to know about After Effects10m 21s
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Video roles in FCP X7m 44s
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Three Timeline tricks7m 31s
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Split edits to elevate your storytelling5m 53s
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Color Finale for traditional color correction10m 37s
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Tricks for managing titles12m 21s
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Perfect slow-mo with HFR11m 35s
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The power of generators10m 49s
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Portable proxies12m 30s
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LUTs and you12m 47s
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Free Apple sound libraries6m 40s
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Getting more from the Ken Burns moves7m 46s
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Storyboards5m 18s
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Three things about 3D text9m 8s
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Playhead and skimmer management6m 22s
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360VR in Final Cut Pro, part 15m 46s
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360VR in Final Cut Pro, part 29m 23s
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Keyframing best secret: Solo animation4m 50s
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3D text in Motion7m 45s
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Smart collections8m 51s
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Transitions6m
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Frame.io9m 55s
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RED workflow10m 2s
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Timelapses, part 17m 32s
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Timelapses, part 27m 23s
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Setting up a stronger Color Workspace7m 34s
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Shortcuts for faster color correction in FCPX 10.47m 12s
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The Power of Overshoot6m 53s
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Better LUT Workflows3m 32s
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Eyedroppers in Curves4m 57s
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Clip Filtering in the Browser3m 2s
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Animation Headache Avoided2m 40s
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SpeedScriber7m 6s
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A Solution for Charts4m 48s
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Speeding Up Basic Transforms4m 33s
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Common Transform Libraries3m 58s
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Viewing Smarter in the Browser3m 46s
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TImeline Display Options2m 16s
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10 keys we wished more FCP X editors used: Part 16m 22s
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10 keys we wished more FCP X editors used: Part 27m
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3 things to know for working with 360 in FCP X6m 46s
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360° Patch6m 20s
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Finishing the job: Archiving best practices4m 11s
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Using auditions with color correction2m 36s
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Using a color chart4m 29s
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Using Motion color looks in FCP X6m 26s
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Using the Finder for easy organization6m 33s
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Flow transition: Hiding jump cuts3m 53s
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Using Palette Gear with FCP X7m 51s
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The ultimate reframe: 360 in everyday projects5m 44s
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Snapshots: Better than duplicates4m 43s
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Closed captions7m
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Which ProRes is right for you?10m 24s
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FCP X in the real world: A sit-down with Kelsey Wilson from the Toronto Star14m 50s
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Dual displays: Maximize your layouts6m 19s
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Creating custom clip names in FCP X5m 21s
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Creating a channel blur in Motion for FCP X8m 7s
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Tweaking flesh tones9m 32s
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Text design tips for video editors12m 57s
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Saving useful effect presets in FCP X8m 28s
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Audio compression9m 27s
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Creating great lens flares with mFlare 211m 48s
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Voice EQ: Making everyone sound better10m 40s
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Smarter effects workflows7m 57s
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The edits not taken5m 38s
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MacBook Pro: 2014 vs. 20187m 11s
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Using cameras and formats6m 48s
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OS X Finder search secret5m 41s
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USB-C, T3, and you3m 51s
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Nodes 2: Incredible motion graphics right inside of FCPX8m 57s
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Three things to know about taking the dive into FCPX8m 6s
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CommandPost6m 37s
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Three great OS X utilities4m 56s
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Build a custom Final Cut Pro custom template in five steps14m 58s
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Three hidden compressor tweaks8m 5s
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Make safe OS X media copies6m 38s
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Don't hit the panic button: Troubleshooting Final Cut Pro X problems, part 14m
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Working with 4K in HD production7m 37s
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Workflow extensions with Shutterstock4m 45s
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Don't detach the audio2m 24s
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Four tips for keying the green out of your screen8m 44s
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Upgrading safer4m 43s
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Understanding disk speed10m 33s
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Beyond Ken Burns: Working with photo cutouts in Apple Motion, part 111m 3s
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Automatic color4m 48s
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Color matching8m 9s
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External GPUs14m 58s
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Beyond Ken Burns: Working with photo cutouts in Apple Motion, part 210m 32s
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Pair kerning: The secret to professional-looking titles3m 19s
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Pro Res raw8m 40s
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Incompatible media for future OS updates5m 38s
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The future isn't just horizontal8m 29s
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Audio limiter5m 12s
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Easing animations8m 12s
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Three free effects9m 49s
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Making keyword collections work for you6m 57s
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Square video8m 52s
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Video noise reduction11m 39s
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Hard limiter2m 44s
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Exploring 3D type options and reflections9m 16s
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Preparing titles for vertical and square formats8m 11s
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Odd-sized assets and Spatial Conform3m 29s
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Stencil and Silhouette5m 5s
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Working with 180-degree video in Final Cut Pro X8m 48s
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Two workflow tips for 5.7K footage7m 6s
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Faking room tone6m 2s
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Free still and video content sites8m 28s
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FCPX system performance12m 37s
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Proxy files for collaborative workflows6m 33s
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EditReady4m 35s
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