Join Jeff I. Greenberg for an in-depth discussion in this video Syncing clips based on markers, part of Final Cut Pro X Guru: Sync Sound Workflow.
- Alright, we saw it work the easy way.…Let's see what happens when it isn't easy.…Taking a look here, I've got the great situation…of really clean audio.…I'm just going to play some of that.…- "So much for applause and drama."…- "I'm Skip and I'll be your doctor today."…- Unfortunately, we had a little bit…of a problem with this shot's audio.…(audio hiss)…That's right, there's nothing there.…Now, this is the nightmare situation…where you have nothing.…This is essentially old school film.…
Now what I've done here is I've put markers.…And I'm going to just switch for a moment.…I'm going to go ahead and give myself…just a lot more room.…I'm going to come all the way down here…to maybe two seconds or so.…Because it's very crucial that when…we go to find that sync moment,…that we're able to actually hear…the beep of the clappers.…So, I'm scrubbing through here, I'm looking for...…because I already have a marker here.…I'm just going to shift to that marker.…There's that marker.…When I back this up just a little bit and I hit Play,…
Luckily, Final Cut Pro X has amazing ability to sync your media—and it gets even better when you incorporate the powerful third-party plugin PluralEyes. This course will help you quickly master the nuances of this workflow, save time, and get the best results when syncing media in Final Cut Pro.
- Syncing clips based on audio and markers
- Cleaning up sound in the Inspector
- Fixing syncing in complex clips
- Adding metadata
- Organizing sync clips
- Performing multicam syncs
- Syncing clips in PluralEyes