From the course: Final Cut Pro X Weekly
A Solution for Charts - Final Cut Pro Tutorial
From the course: Final Cut Pro X Weekly
A Solution for Charts
- Welcome to Final Cut Pro X Weekly. You just have me this week, it's Jeff. I want to talk about a solution for charts. Frankly, I'm not a graphic designer. When I deal with that sort of stuff, I talk to somebody like Nick. I have them do pretty stuff. I'm not that great at, or I don't want to spend the time doing pretty stuff, is probably the best line. It just takes me too long. And recently I ran across Stupid Raisins Data Pop, and they've got a lot of really cool plugins through FXFactory, but I particularly want to take a look at their Data Pop plugins. So, some practicals here. It's from FXFactory.com, it's 99 bucks. When you download and you install FXFactory, they have all these different Pop plugins and we're specifically looking at Data Pop. I want you to know that they have some free ones as well. I believe it's four of them, I'm just going to click here. Four free titles here for Final Cut, so it costs you nothing to try them out. And you go to your titles and you can find Stupid Raisins Data Pop there, and you can see they have area charts, bar charts, circles, time based. I mean, some of these do some really nice things and solve some painful problems for when you have to give this sort of data. And just so we can see some examples here, I have a bar chart, and I'm going to open up my inspector. Let's for the time being, let's hide our browser, just so we can see this fairly large. I can choose to have a build-in or a build-out. So you can see when this plays back it'll literally build itself. I can choose what kind of bar style. I'd only like to have maybe four bars. This interactor lets me choose the height of the individual bar and I can adjust the width here. And I've found that if I went beyond the slider, I can make them larger. That blue of bar two's a little dark, so I'm just going to find bar two, bar colors, bar two. My last name's Greenberg, so you know I'm going to turn it green. There we go. You set the value of any individual number here. I can set this as high or low, and you can see up top you can set the maximum value. You can choose the lines here on the axis. Maybe we'll make it 10 lines, and you can rename any of these pieces. And this works like all of Final Cut's texts. Cool data. At the very bottom, you have the ability to have a camera move here called sweep on and off, as well as the background. It can be a gradient, a solid color, or transparent. Now, transparent's really nice. You could actually build individual bars if you wanted to do a different animation. I just built a couple for fun. So there's the percentage of the chart resembling Pacman, and I've turned off a lot of pieces. I just wanted you to see that you can move elements around fairly easily, you could take it off-screen. I love ring charts, I like them better than pie charts. And this is why my kids are crying. I've got little ones at home still. I'm in love with this sort of chart here. This is a statistic based chart based on a map. When I select it, you'll see that you can choose what kind of map: world, just the US, a number of different countries, and you might ask yourself, well, what do I do if my country's not here? Well, you can choose custom, and custom allows you to put something in the well down here. It's got to be an item that looks like this. Oh, but we can't see it because it's against black. Let's take a second here and just take my preferences from black to a checkerboard background, so you can see it. There is a map of Delaware, and I've replaced that here on my timeline. Let's see what we have. So this is a couple of places for great beer in Delaware. Of course, my house, Dogfish Head, and Two Stones Pub up in Newark. They're all great places for beer. And maybe I don't want this sources here, section. I'm just going to come to the bottom, I'll turn off the face. It's still there, it's just physically hidden. And this gives you a great example of a couple of the things Data Pop does. It's just become this go-to plugin for me for all sorts of chart animation that normally would be very difficult, or I'd have to build myself. Again, it's available at FXFactory.com or StupidRaisins.com. They do some great stuff.
Contents
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Why the Range tool should be your favorite and why to use it more5m 26s
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It’s all about the color board9m 53s
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5 things you should know about Motion 510m 34s
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The ultimate short guide to mastering speed effects6m 52s
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3 things you should use Compressor for right now6m 38s
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5 keyboard shortcuts you should know in FCPX7m 9s
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Uploading videos to the web4m 27s
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Setting up workspaces5m 8s
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AE workflows10m
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Cool things about the Info panel5m 36s
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5 tricks for dealing with the inventible stills montage8m 35s
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Animation in a hurry: Have no fear, custom text is here7m 9s
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The least you need to know about After Effects10m 21s
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Video roles in FCP X7m 44s
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Three Timeline tricks7m 31s
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Split edits to elevate your storytelling5m 53s
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Color Finale for traditional color correction10m 37s
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Tricks for managing titles12m 21s
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Perfect slow-mo with HFR11m 35s
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The power of generators10m 49s
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Portable proxies12m 30s
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LUTs and you12m 47s
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Free Apple sound libraries6m 40s
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Getting more from the Ken Burns moves7m 46s
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Storyboards5m 18s
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Three things about 3D text9m 8s
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Playhead and skimmer management6m 22s
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360VR in Final Cut Pro, part 15m 46s
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360VR in Final Cut Pro, part 29m 23s
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Keyframing best secret: Solo animation4m 50s
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3D text in Motion7m 45s
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Smart collections8m 51s
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Transitions6m
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Frame.io9m 55s
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RED workflow10m 2s
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Timelapses, part 17m 32s
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Timelapses, part 27m 23s
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Setting up a stronger Color Workspace7m 34s
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Shortcuts for faster color correction in FCPX 10.47m 12s
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The Power of Overshoot6m 53s
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Better LUT Workflows3m 32s
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Eyedroppers in Curves4m 57s
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Clip Filtering in the Browser3m 2s
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Animation Headache Avoided2m 40s
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SpeedScriber7m 6s
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A Solution for Charts4m 48s
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Speeding Up Basic Transforms4m 33s
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Common Transform Libraries3m 58s
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Viewing Smarter in the Browser3m 46s
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TImeline Display Options2m 16s
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10 keys we wished more FCP X editors used: Part 16m 22s
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10 keys we wished more FCP X editors used: Part 27m
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3 things to know for working with 360 in FCP X6m 46s
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360° Patch6m 20s
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Finishing the job: Archiving best practices4m 11s
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Using auditions with color correction2m 36s
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Using a color chart4m 29s
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Using Motion color looks in FCP X6m 26s
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Using the Finder for easy organization6m 33s
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Flow transition: Hiding jump cuts3m 53s
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Using Palette Gear with FCP X7m 51s
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The ultimate reframe: 360 in everyday projects5m 44s
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Snapshots: Better than duplicates4m 43s
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Closed captions7m
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Which ProRes is right for you?10m 24s
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FCP X in the real world: A sit-down with Kelsey Wilson from the Toronto Star14m 50s
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Dual displays: Maximize your layouts6m 19s
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Creating custom clip names in FCP X5m 21s
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Creating a channel blur in Motion for FCP X8m 7s
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Tweaking flesh tones9m 32s
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Text design tips for video editors12m 57s
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Saving useful effect presets in FCP X8m 28s
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Audio compression9m 27s
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Creating great lens flares with mFlare 211m 48s
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Voice EQ: Making everyone sound better10m 40s
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Smarter effects workflows7m 57s
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The edits not taken5m 38s
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MacBook Pro: 2014 vs. 20187m 11s
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Using cameras and formats6m 48s
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OS X Finder search secret5m 41s
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USB-C, T3, and you3m 51s
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Nodes 2: Incredible motion graphics right inside of FCPX8m 57s
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Three things to know about taking the dive into FCPX8m 6s
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CommandPost6m 37s
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Three great OS X utilities4m 56s
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Build a custom Final Cut Pro custom template in five steps14m 58s
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Three hidden compressor tweaks8m 5s
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Make safe OS X media copies6m 38s
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Don't hit the panic button: Troubleshooting Final Cut Pro X problems, part 14m
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Working with 4K in HD production7m 37s
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Workflow extensions with Shutterstock4m 45s
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Don't detach the audio2m 24s
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Four tips for keying the green out of your screen8m 44s
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Upgrading safer4m 43s
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Understanding disk speed10m 33s
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Beyond Ken Burns: Working with photo cutouts in Apple Motion, part 111m 3s
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Automatic color4m 48s
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Color matching8m 9s
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External GPUs14m 58s
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Beyond Ken Burns: Working with photo cutouts in Apple Motion, part 210m 32s
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Pair kerning: The secret to professional-looking titles3m 19s
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Pro Res raw8m 40s
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Incompatible media for future OS updates5m 38s
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The future isn't just horizontal8m 29s
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Audio limiter5m 12s
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Easing animations8m 12s
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Three free effects9m 49s
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Making keyword collections work for you6m 57s
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Square video8m 52s
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Video noise reduction11m 39s
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Hard limiter2m 44s
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Exploring 3D type options and reflections9m 16s
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Preparing titles for vertical and square formats8m 11s
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Odd-sized assets and Spatial Conform3m 29s
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Stencil and Silhouette5m 5s
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Working with 180-degree video in Final Cut Pro X8m 48s
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Two workflow tips for 5.7K footage7m 6s
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Faking room tone6m 2s
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Free still and video content sites8m 28s
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FCPX system performance12m 37s
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Proxy files for collaborative workflows6m 33s
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EditReady4m 35s
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