Join Jeff I. Greenberg for an in-depth discussion in this video Rejecting (and hiding) original clips, part of Final Cut Pro X Guru: Sync Sound Workflow.
- In large work flows where you have a lot…of people working together,…this job of syncing is done often by an assistant editor.…And the editor comes down to find everything ready to go.…You may be doing both of these things yourself.…I just want to show you one little thing…that make it a bit easier for you with your sync clips.…You'll notice here I've got a clip selected…and it's got a lot of empty space here at the front.…It's got a lot of stuff before the camera,…before the slight happened,…and for that I'm going to just grab the range tool…and click and drag.…It's r for the range tool.…
I had an option clicked to deselect…and I can click and drag.…I didn't need the range tool necessarily.…I'm going to just get rid of the range tool,…I'll hit the a for arrow.…Once again, I'll option click the deselect.…I can just click and drag if I like.…All I'm looking for is when the video starts to appear…and I'll just back off a little bit.…This section is part of the sync with the original sound…that I never want to see.…
Luckily, Final Cut Pro X has amazing ability to sync your media—and it gets even better when you incorporate the powerful third-party plugin PluralEyes. This course will help you quickly master the nuances of this workflow, save time, and get the best results when syncing media in Final Cut Pro.
- Syncing clips based on audio and markers
- Cleaning up sound in the Inspector
- Fixing syncing in complex clips
- Adding metadata
- Organizing sync clips
- Performing multicam syncs
- Syncing clips in PluralEyes