From the course: DSLR Video Tips: Software
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Post-processing to achieve a film look: Part one
From the course: DSLR Video Tips: Software
Post-processing to achieve a film look: Part one
- So Rich, here we are in good old Final Cut Pro Ten, and I gotta tell ya, Final Cut Pro Ten, you know, it's got a lot of knocks, but I actually love it for a lot of its effect work flow, a lot of its color correction work flow. - I would say that they made the ability to browse effects and preview effects incredibly easy. - Yeah, I mean, it's... I think it's one of those tools that once you get to know, it does amazingly powerful things. And this week, we're in Final Cut Pro X, and I want to show you a couple of different looks on a couple of different shots, and as we talked about on our intro for this week, there's no right or wrong and by no means is this the end-all, be-all of the look. One thing I just wanna say that I didn't mention earlier was that the film-type look, largely that's not actually anything to do with actually how the picture looks. Sure, you can consider lighting and vignetting and whatever grain and all that good stuff. - Yeah. - Motion is a big thing, right?…
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