Join Jeff I. Greenberg for an in-depth discussion in this video Picking the right audio in the Inspector, part of Final Cut Pro X Guru: Sync Sound Workflow.
- View Offline
- So if step one was to do the actual synchronization,…step two is to make sure you've got clean audio…actually selected, and only the clean audio selected.…Let's take a look at how to do that,…first with one clip, and then with several.…So I've got the inspector open already,…and I'm just going to select the first clip.…By the way, if you have these video files,…you will see these raw clips living in this bin over here,…this keyword called Raw Footage, and you can see…that the actual synced version is here, if you choose…to build them yourself.…But I'm going to come back to Using the Inspector.…
I'm looking at this synced clip here,…and over on the right, I'm on the inspector…and on the Audio tab, and I'm just going to scroll down here…so you can see the storyline in the connected clips.…I'm just going to roll that open a little bit further.…There we go.…I can scrub through here, and we can hear…that this is the original record of the reference audio,…and it's pretty rough.…(people talking)…I can then move down to the connected audio,…
Luckily, Final Cut Pro X has amazing ability to sync your media—and it gets even better when you incorporate the powerful third-party plugin PluralEyes. This course will help you quickly master the nuances of this workflow, save time, and get the best results when syncing media in Final Cut Pro.
- Syncing clips based on audio and markers
- Cleaning up sound in the Inspector
- Fixing syncing in complex clips
- Adding metadata
- Organizing sync clips
- Performing multicam syncs
- Syncing clips in PluralEyes