From the course: Final Cut Pro X Weekly
Closed captions - Final Cut Pro Tutorial
From the course: Final Cut Pro X Weekly
Closed captions
- [Jeff] Welcome to Final Cut Pro X Weekly, and 10.4.1 gave us Closed Captions! Let's talk about how they work. Wanna talk a little bit about the captions, how to modify them, where you can work with them in your timeline, talk about importing and exporting these captions, a bug we found, and how to handle burn-in titles. Final Cut X supports two different title formats, the CEA-608, this is classically standard definition titling, and Apple's using ITT for everything else, and ITT stands for iTunes Timed Text. Typically, when these things go outside of a QuickTime file, they tend to be an STL or an SRT file, just a small file out there that goes out. Burned-in text is something else, and I'll talk about it at the end. So let's talk about just adding a single caption. We can see here in my timeline in Final Cut, I'm just going to go ahead here for the moment and hide my browser. You can see I've got titles already set on this. I'm just going to scrub through it a moment. And as he speaks, we can see what he's saying. - Apparently one of the ways they remedy this is to put tubes into their ears. I would just do that the first time, be-- - [Jeff] So I'm going to go ahead here and go to this same clip, and I'm just gonna start creating some of my own captions. To find this, I've got the clip selected, I'm going to go to the edit menu, scroll towards the bottom where it's got the word captions, and you can see the option + c, add caption. Now I can go ahead and listen to what he says and put in some information like, As we got a little. I can open up my inspector, and you can see where it's got the display information, and since these are ITT captions, they can have things like a change in text color that are impossible in 608. You can also see things like their duration and end, and we can stretch the edges of this if we want. - As we got a little bit older-- - [Jeff] I probably wanna double-click this, to add the word older. Now let's play that back and adjust it. Command + to zoom in a little. - -er, one-- - [Jeff] Right here. And I'm ready for my next caption. Now the option + c works a lot better if you use the range tool, so I'm gonna sit back and I'm gonna set, click on this clip. I'm gonna hit the letter r for range, hit an i for inpoint, and hit play, listening to the next thing he says. - One of the things that happened regularly-- - [Jeff] I'm gonna put an outpoint. I could've also used the range tool, and just selected, and I'll hit an option + c, and now it comes directly for that period of time. You can use the arrows to jump back and forth, and work your way through the timeline, jumping from caption to caption. You have the ability to change the placement, change the text color, the formatting. I think these are pretty straightforward. The index has been expanded to show us captions. So going here to the beginning of my timeline, using a shift + z, so I can see all, I can go here to the index, and you can see I can navigate to each individual caption. Normally, you start on clips. I'm over here on captions, and I can jump through each caption. I can't scrub or choose these, but I can certainly select them, and they show up in the inspector, allowing me to change anything I need to change for any individual caption, including its placement, and positioning, and formatting. So the next common question is how to get captions, and you've seen me do it here by hand. Anything you upload to YouTube will automatically get captions generated eventually, and you can download those as an SRT file. You may have to use some sort of third party website to massage it into, say, ITT text to be imported, but there's a lot of those out there, and they're pretty easy to find. Machine learning tools like SpeedScriber can actually generate this using machine learning, which is very inexpensive, and then generate these files to be imported into Final Cut. Last, services like REV.com do it for about $1 a minute with high accuracy, 'cause a human being is actually doing the work. Let's explore importing some captions. Here inside of Final Cut, I'm just gonna take the captions in this clip. I'm gonna delete them. I'm gonna go up to the file menu, choose import captions, pick my captions here, and say, import. My captions now come in and they're lined up correctly, just like before. Notice they don't have the black background. We're gonna talk about that in a minute. Let's talk about getting captions out of Final Cut X. We go to the file menu. We can export the individual captions themselves as an ITT file. If we want them to go out with the actual media, which you share, and you have to pick a format that supports it, and since this is a role, it automatically comes out late, as a role here. So you'll see the captions get set up there, and if you have multiple captions, you're able to import each as an individual, separate file. If you share to, say, YouTube, your captions automatically get handled with the file. As I mentioned, there is a bug. Importing ITT files seems to be missing a background, and I'm not sure when this will be fixed, but I wanna show you the workaround. You select the captions, you modify them and assign the roles to 608 and switch back, just like this. I'm gonna go ahead and select them on my index, I'm gonna go up to modify, assign caption roles, set it to English. It's gonna mess up their formatting, and red means that they overlap incorrectly. You can't have one overlap another one. But when I assign it back here, it goes ahead and fixes that, and in doing so, now everything's got a black background, the way they're supposed to. The last thing I wanna mention is these are not burned-in titles. These are closed captions. They are soft items, not permanently into the video. If you wanna have them permanently into the video, there are a bunch of tools out there. One of them's from Spherico. They make something called X-Title Importer. What it basically does is import FCPX XML, including your caption information, and that can export a series of titles for you. And just so you can see their website, it looks like this. And the tool itself happens to be donation-based. It happens to be free. It's a great tool to add to your arsenal. My name's Jeff, and thanks for watching Final Cut Pro X Weekly.
Contents
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Why the Range tool should be your favorite and why to use it more5m 26s
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It’s all about the color board9m 53s
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5 things you should know about Motion 510m 34s
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The ultimate short guide to mastering speed effects6m 52s
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3 things you should use Compressor for right now6m 38s
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5 keyboard shortcuts you should know in FCPX7m 9s
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Uploading videos to the web4m 27s
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Setting up workspaces5m 8s
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AE workflows10m
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Cool things about the Info panel5m 36s
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5 tricks for dealing with the inventible stills montage8m 35s
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Animation in a hurry: Have no fear, custom text is here7m 9s
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The least you need to know about After Effects10m 21s
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Video roles in FCP X7m 44s
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Three Timeline tricks7m 31s
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Split edits to elevate your storytelling5m 53s
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Color Finale for traditional color correction10m 37s
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Tricks for managing titles12m 21s
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Perfect slow-mo with HFR11m 35s
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The power of generators10m 49s
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Portable proxies12m 30s
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LUTs and you12m 47s
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Free Apple sound libraries6m 40s
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Getting more from the Ken Burns moves7m 46s
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Storyboards5m 18s
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Three things about 3D text9m 8s
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Playhead and skimmer management6m 22s
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360VR in Final Cut Pro, part 15m 46s
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360VR in Final Cut Pro, part 29m 23s
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Keyframing best secret: Solo animation4m 50s
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3D text in Motion7m 45s
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Smart collections8m 51s
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Transitions6m
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Frame.io9m 55s
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RED workflow10m 2s
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Timelapses, part 17m 32s
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Timelapses, part 27m 23s
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Setting up a stronger Color Workspace7m 34s
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Shortcuts for faster color correction in FCPX 10.47m 12s
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The Power of Overshoot6m 53s
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Better LUT Workflows3m 32s
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Eyedroppers in Curves4m 57s
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Clip Filtering in the Browser3m 2s
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Animation Headache Avoided2m 40s
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SpeedScriber7m 6s
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A Solution for Charts4m 48s
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Speeding Up Basic Transforms4m 33s
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Common Transform Libraries3m 58s
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Viewing Smarter in the Browser3m 46s
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TImeline Display Options2m 16s
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10 keys we wished more FCP X editors used: Part 16m 22s
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10 keys we wished more FCP X editors used: Part 27m
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3 things to know for working with 360 in FCP X6m 46s
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360° Patch6m 20s
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Finishing the job: Archiving best practices4m 11s
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Using auditions with color correction2m 36s
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Using a color chart4m 29s
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Using Motion color looks in FCP X6m 26s
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Using the Finder for easy organization6m 33s
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Flow transition: Hiding jump cuts3m 53s
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Using Palette Gear with FCP X7m 51s
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The ultimate reframe: 360 in everyday projects5m 44s
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Snapshots: Better than duplicates4m 43s
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Closed captions7m
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Which ProRes is right for you?10m 24s
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FCP X in the real world: A sit-down with Kelsey Wilson from the Toronto Star14m 50s
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Dual displays: Maximize your layouts6m 19s
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Creating custom clip names in FCP X5m 21s
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Creating a channel blur in Motion for FCP X8m 7s
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Tweaking flesh tones9m 32s
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Text design tips for video editors12m 57s
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Saving useful effect presets in FCP X8m 28s
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Audio compression9m 27s
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Creating great lens flares with mFlare 211m 48s
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Voice EQ: Making everyone sound better10m 40s
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Smarter effects workflows7m 57s
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The edits not taken5m 38s
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MacBook Pro: 2014 vs. 20187m 11s
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Using cameras and formats6m 48s
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OS X Finder search secret5m 41s
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USB-C, T3, and you3m 51s
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Nodes 2: Incredible motion graphics right inside of FCPX8m 57s
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Three things to know about taking the dive into FCPX8m 6s
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CommandPost6m 37s
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Three great OS X utilities4m 56s
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Build a custom Final Cut Pro custom template in five steps14m 58s
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Three hidden compressor tweaks8m 5s
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Make safe OS X media copies6m 38s
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Don't hit the panic button: Troubleshooting Final Cut Pro X problems, part 14m
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Working with 4K in HD production7m 37s
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Workflow extensions with Shutterstock4m 45s
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Don't detach the audio2m 24s
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Four tips for keying the green out of your screen8m 44s
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Upgrading safer4m 43s
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Understanding disk speed10m 33s
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Beyond Ken Burns: Working with photo cutouts in Apple Motion, part 111m 3s
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Automatic color4m 48s
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Color matching8m 9s
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External GPUs14m 58s
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Beyond Ken Burns: Working with photo cutouts in Apple Motion, part 210m 32s
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Pair kerning: The secret to professional-looking titles3m 19s
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Pro Res raw8m 40s
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Incompatible media for future OS updates5m 38s
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The future isn't just horizontal8m 29s
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Audio limiter5m 12s
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Easing animations8m 12s
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Three free effects9m 49s
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Making keyword collections work for you6m 57s
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Square video8m 52s
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Video noise reduction11m 39s
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Hard limiter2m 44s
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Exploring 3D type options and reflections9m 16s
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Preparing titles for vertical and square formats8m 11s
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Odd-sized assets and Spatial Conform3m 29s
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Stencil and Silhouette5m 5s
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Working with 180-degree video in Final Cut Pro X8m 48s
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Two workflow tips for 5.7K footage7m 6s
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Faking room tone6m 2s
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Free still and video content sites8m 28s
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FCPX system performance12m 37s
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Proxy files for collaborative workflows6m 33s
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EditReady4m 35s
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