Join Michael Towe for an in-depth discussion in this video Assigning subroles, part of Final Cut Pro X & Logic Pro X: 1 Audio Post Workflow.
- [Instructor] Now that we know how to create roles…and subroles, let's talk a little bit about how to…assign roles and subroles specifically to audio.…Now, if there's one thing that I've learned…in the five years that I've been working on Final Cut Pro X,…it's that if you do the work upfront,…if you do the organizing upfront,…your life is going to be so much easier…as you move through and edit.…And that very much applies…to assigning roles to your audio,…because if you do it on the front end;…if you assign the roles to your audio…before you make multi cam clips,…or make synced clips,…then when you create those multi cam clips,…when you create those synced clips,…all of those roles and subroles that you've assigned…will travel with those multi cam clips,…will travel with those synced clips.…
So, before we even make a multi cam clip,…we're going to go to the second system audio,…and assign the roles at that level,…assign the roles at that very base level.…In our project, we have two video clips.…One was shot with just reference audio on the camera,…
- What version of Final Cut Pro X should you use?
- Creating the 2-pop and tail pop
- Assigning roles in Final Cut Pro X
- Working with roles in the timeline
- Setting up your timeline for export
- Exporting to Logic Pro X via FCPXML
- Exporting to Logic Pro X AAF
- Working with the composite mix