Adjusting ProRes RAW camera settings - Final Cut Pro Tutorial

Contents

• Introduction Introduction

  • Welcome

    34s
  • What you should know before watching this course

    26s
• 1. Workflow Improvements 1. Workflow Improvements

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    Role-based forward and back clip selection

    2m 30s
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    Logic Pro X effects interface update

    2m 9s
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    High Efficiency Video Coding (HEVC) support and export

    3m 50s
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    Looping status, improved optical flow, and Canon Cinema RAW Light support

    4m 2s
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    iOS iMovie projects

    2m 13s
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    High dynamic range (HDR) support and export

    9m 4s
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    Camera RAW support

    3m 36s
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    Import closed captions

    3m 27s
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    Create closed captions

    4m 35s
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    Export closed captions

    2m 50s
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    SRT caption support and burn-in

    2m 42s
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    Batch exporting clips and presets

    2m 39s
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    Comic effect

    2m 28s
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    Comparison viewer

    3m 3s
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    Noise reduction effects

    2m 11s
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    Source and project timecode windows

    2m 31s
• 2. Color Workflow Additions 2. Color Workflow Additions

  • The Color Inspector

    4m 24s
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    Color correction shortcuts

    5m 36s
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    Color Wheels

    6m 48s
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    Color Curves

    5m 36s
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    Hue and Saturation curves

    6m 35s
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    White balance color picker

    2m 38s
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    Lookup table (LUT) support

    3m 15s
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    Motion color correction effects

    2m 46s
• 3. Virtual Reality Improvements 3. Virtual Reality Improvements

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    Configuring and editing with a head-mounted display

    5m 13s
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    Importing 360 footage and creating a 360 project

    4m 5s
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    Using the Reorient tool

    2m 52s
  • VR effects

    5m 27s
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    VR titles

    3m
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    Motion improvements: Part one

    3m 32s
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    Motion improvements: Part two

    2m 18s
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    Exporting 360 video with Compressor

    3m
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    Tiny planet

    2m 35s
• 3. 10.4.9 Updates 3. 10.4.9 Updates

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    Importing proxy options

    3m 32s
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    Copying a proxy only library

    2m 22s
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    Preparing a project for vertical or square delivery

    3m 47s
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    Using custom overlays and transform overscan

    4m 10s
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    Using Duplicate Project As

    1m 11s
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    Adjusting ProRes RAW camera settings

    1m 54s
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    Crossfade audio and sort clips

    2m 52s
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    Closing projects

    43s
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    Working with stereoscopic clips

    1m 40s
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    Stabilize 360 clips

    1m 43s
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    Working with USDZ files in Motion

    5m 46s
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    The new Stroke filter in Motion

    1m 39s
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    Compressor updates

    2m 18s
• Conclusion Conclusion

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    Next steps

    16s