- At some point in our edit, we will need to determine…which parts of the clip we like and which parts we do not.…I find it much easier to make a preliminary determination on…what part I think I will use before starting the rough cut.…Let's go ahead and import a new clip, right here,…into Premiere Pro.…Double click anywhere in the project panel…and choose from the miscellaneous folder…the clip called Alaska_long.…
Here we go, I'm going to put it inside of the Alaska folder.…And now, I am going to double click it so that it opens…in the source panel.…I will make this a little bit bigger.…Now, what I really want to do is chose in and out points…from this clip so that I can create a rough cut very,…very easily.…And for that, I am going to create a new bin.…Again, to create the new bin, the shortcut is just…command B, and I am going to call it storyboard.…
If we double click the bin, by default, unless we changed…that in the preferences, that bin is going to open…in its own panel and that's what I want.…I want to put this panel, just floating, next to the source.…
Released
2/8/2016Amy DeLouise reviews production planning, on-set strategies for effective media management, and tips for creating transcripts, editing scripts, and asset lists for editors. During post-production kickoff, she talks about managing your client's expectations: balancing their needs with the realities of production. With any luck, you can reconcile the two in post, using Amy's instructions for setting up Final Cut and Premiere Pro projects for success. The final chapter includes bonus post-production strategies for future-proofing and exporting projects.
- Building a creative brief and concept boards before the shoot
- Determining the technical requirements for the shoot
- Taking good field notes
- Using slates
- Managing media effectively on set
- Backing up source footage
- Preparing interview transcripts, editing lists, and asset lists
- Reviewing your post-production plan
- Setting up Final Cut Pro projects
- Setting up Premiere Pro projects
- Syncing dual sound and multicamera media
- Exporting files for audio post and color grading
Skill Level Intermediate
Duration
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with Amy DeLouise1h 46m Intermediate
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Introduction
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Welcome1m 54s
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1. The Challenges of Moving between Production and Post
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2. Things to Accomplish before the Shoot
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Creating your creative brief4m 42s
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Rights management2m 21s
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3. Shoot Essentials for a Smoother Edit
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Why room tone matters2m 33s
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4. Effective Media Management On Set
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5. Things to Accomplish before the Edit
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6. The Post-Production Kickoff
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7. Setting Up Your Final Cut Pro X Project for Success
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8. Setting Up Your Premiere Pro Project for Success
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9. Additional Post-Production Strategies
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Future-proofing your project5m 48s
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Conclusion
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Conclusion2m 33s
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Video: Using subclips to organize long clips in Premiere Pro