In filmmaking, the lens of the camera represents the perspective of the audience. And because human beings move in response to stimuli and emotions, directors can recreate those same emotions by moving the camera as if it represented the audience. Moving the camera and using the camera to tell stories is one of the best tools in the hands of filmmakers.
- One of the most powerful storytelling tools…you have as a filmmaker is the camera.…The camera essentially represents…the eyes of the audience.…Just like in real life, people move for various reasons,…but always for a purpose.…We get closer to those we feel more intimacy towards…and further away from people that creep us out.…When we're excited, and our heart is racing…with anger or fear, we often get antsy.…We can't sit still.…As filmmakers, we can help the audience…feel those same emotions by moving the camera…as if they were feeling those feelings.…If we wanted the audience to feel…more connected to a character,…then we could move the camera closure,…as in the opening shot of The Assurance.…
We wanted people to be drawn into this world,…so we moved the camera, essentially the audience,…closer to Korda'a.…As part of this chapter we're going to look a little closer…at a few of the most common camera moves.…But with the increasing availability of gear…like sliders, drones, stabilizers,…the type of shots you can get are really infinite.…
Author
Chad Perkins
Released
8/18/2016Watch and learn how to shoot a script, using visual motifs, atmospherics, framing, and different types of shots to tell the film's story. Find out how to give direction to your crew and be a good leader, while staying on budget and on schedule. Plus, get tips to improve shots during retakes or in post, and to become a better director, storyteller, and communicator.
Note: Like the rest of the Creating a Short Film series, this course was shot during the production of The Assurance. It offers a unique window into the actual struggles and challenges filmmakers have to overcome to get films made. Find the rest of the courses in the series on Chad's author page.
- What a director does
- Interpreting the script
- Scouting locations
- Choosing the tone and theme of the film
- Using motifs
- Shaping the story through visuals
- Being a good leader on set
- Respecting budgets and schedules
- Planning shots
- Moving the camera: on a tripod or dolly or in handheld shots
- Using rolling takes
- Framing shots
- Adding atmospherics
- Directing in post-production
- Becoming a better director
Skill Level Intermediate
Duration
Views
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Introduction
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What does a director do?1m 53s
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The Assurance7m 43s
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1. Preparing for Production
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Choosing your crew1m 37s
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Interpreting the script2m 4s
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Creating a visual style2m 36s
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Scouting locations1m 37s
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2. Themes and Tone
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Controlling the tone4m 39s
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Using themes1m 58s
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Using motifs2m 13s
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About the blur motif2m 18s
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3. Shaping the Story
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Killing darlings3m 59s
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Cutting to add clarity1m 54s
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Adding tension2m 19s
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Showing, not telling4m 35s
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4. Running the Set
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Being a good leader3m 29s
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Sticking to your vision3m 3s
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Throwing away your vision2m 57s
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Knowing when to reset2m 45s
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Wearing multiple hats1m 25s
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5. Planning Shots in a Scene
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Understanding the scene2m 45s
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Planning the shots4m 19s
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6. Getting the Shot
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Getting coverage4m 2s
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Cheating and stealing shots3m 20s
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Utilizing rolling takes4m 10s
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Breaking the "fourth wall"1m 45s
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Fixing it in post1m 43s
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7. Improving the Shot
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Improving takes4m 11s
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Using extras3m 38s
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Framing the shot5m 28s
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Adding atmospherics3m 8s
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8. Directing in Post-Production
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Directing the edit1m 36s
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Directing VFX shots1m 49s
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Directing audio choices2m 46s
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Conclusion
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Becoming a better director1m 31s
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Directing resources2m 52s
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Final thoughts1m 1s
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Video: Telling stories with a camera