- [Amy] Rights management is a big part…of the hand-off between production and post.…And what I mean by that is, as content producers,…we're creating content that we…want to protect the rights of,…maybe it belongs to us or it belongs to our clients,…but we also have to think about the rights…of all the material that we're acquiring.…That might include music, that might include…talent that's on camera, that might include…copyrighted works that are in the background,…like a sculpture or a painting,…all of those are components that…the producer needs to think about,…and in the hand-off, we need to be…really clear about where those rights are,…the fact that we cleared them,…or that there's something that has to be cut around,…otherwise, the editor's not going to have that information.…
- [Luisa] That's right, Amy, and I, as an editor,…assume that if I'm handed footage…that all of the rights have been cleared for this.…However, I have encountered one or two instances…in which we weren't quite clear on what…the right acquisition was for that particular shot.…
Released
2/8/2016Amy DeLouise reviews production planning, on-set strategies for effective media management, and tips for creating transcripts, editing scripts, and asset lists for editors. During post-production kickoff, she talks about managing your client's expectations: balancing their needs with the realities of production. With any luck, you can reconcile the two in post, using Amy's instructions for setting up Final Cut and Premiere Pro projects for success. The final chapter includes bonus post-production strategies for future-proofing and exporting projects.
- Building a creative brief and concept boards before the shoot
- Determining the technical requirements for the shoot
- Taking good field notes
- Using slates
- Managing media effectively on set
- Backing up source footage
- Preparing interview transcripts, editing lists, and asset lists
- Reviewing your post-production plan
- Setting up Final Cut Pro projects
- Setting up Premiere Pro projects
- Syncing dual sound and multicamera media
- Exporting files for audio post and color grading
Skill Level Intermediate
Duration
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Introduction
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Welcome1m 54s
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1. The Challenges of Moving between Production and Post
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2. Things to Accomplish before the Shoot
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Creating your creative brief4m 42s
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Rights management2m 21s
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3. Shoot Essentials for a Smoother Edit
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Why room tone matters2m 33s
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4. Effective Media Management On Set
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5. Things to Accomplish before the Edit
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6. The Post-Production Kickoff
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7. Setting Up Your Final Cut Pro X Project for Success
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8. Setting Up Your Premiere Pro Project for Success
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9. Additional Post-Production Strategies
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Future-proofing your project5m 48s
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Conclusion
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Conclusion2m 33s
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Video: Rights management