- One of the best things you can do for yourself…as a Producer or an Editor, is to plan for transcripts.…And what I mean by that is, if you have a lot of interviews…for your production or you have perhaps actors…who are kind of freelancing on their lines and they're not…all locked down on your script,…you are going to want a transcript to go through…because it's going to be way faster to go through on paper…and pick your best sound bytes or your best takes…than it is to scrub through all the footage in real time.…- Exactly, and there are two different ways that you can get…the audio to your transcript people…with the time code from the original tape.…
And one of the ways is actually to export the audio…from the sequence, but make sure that the sequence…doesn't start at zero.…Most of them default at zero so you need to…start the sequence at the time code number that your clip,…which is in the sequence, starts at.…Of course another way of getting your audio…is by using one of these, a digital audio recorder.…
Released
2/8/2016Amy DeLouise reviews production planning, on-set strategies for effective media management, and tips for creating transcripts, editing scripts, and asset lists for editors. During post-production kickoff, she talks about managing your client's expectations: balancing their needs with the realities of production. With any luck, you can reconcile the two in post, using Amy's instructions for setting up Final Cut and Premiere Pro projects for success. The final chapter includes bonus post-production strategies for future-proofing and exporting projects.
- Building a creative brief and concept boards before the shoot
- Determining the technical requirements for the shoot
- Taking good field notes
- Using slates
- Managing media effectively on set
- Backing up source footage
- Preparing interview transcripts, editing lists, and asset lists
- Reviewing your post-production plan
- Setting up Final Cut Pro projects
- Setting up Premiere Pro projects
- Syncing dual sound and multicamera media
- Exporting files for audio post and color grading
Skill Level Intermediate
Duration
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Video Foundations: Interviews
with Anthony Q. Artis1h 55m Intermediate -
EPK Editing: 1 Ingest to Assembly Edit
with Maxim Jago1h 45m Intermediate -
Script Writing for Nonfiction Video
with Amy DeLouise1h 46m Intermediate
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Introduction
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Welcome1m 54s
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1. The Challenges of Moving between Production and Post
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2. Things to Accomplish before the Shoot
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Creating your creative brief4m 42s
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Rights management2m 21s
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3. Shoot Essentials for a Smoother Edit
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Why room tone matters2m 33s
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4. Effective Media Management On Set
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5. Things to Accomplish before the Edit
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6. The Post-Production Kickoff
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7. Setting Up Your Final Cut Pro X Project for Success
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8. Setting Up Your Premiere Pro Project for Success
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9. Additional Post-Production Strategies
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Future-proofing your project5m 48s
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Conclusion
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Conclusion2m 33s
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Video: Planning for transcripts of interviews