- You've worked so hard to get your project…to the finish line, but you're actually not quite…there, yet, because actually, one of the other things…you really need to discuss between your producer and your…editor is how you want to future-proof your project.…And what I mean by future-proof is not just what you might…need next year, but are there things you might need…in the years ahead that you can't even envision?…One of the things I like to do, Luisa, is I like…to think about projects that I know I'm probably…going to need to revisit something in about a year,…like maybe there's just an annual update.…
Maybe something in five years, because there might…be turnover and I've done interviews with the CEO…and now there's a new CEO, so I'm going to…have to replace just maybe one or two things.…And then, something that's really going to be in…a long term archive, this is is some kind of historical…project about the 100th anniversary of some organization…and they are always going to want to keep every piece…of this project.…
Released
2/8/2016Amy DeLouise reviews production planning, on-set strategies for effective media management, and tips for creating transcripts, editing scripts, and asset lists for editors. During post-production kickoff, she talks about managing your client's expectations: balancing their needs with the realities of production. With any luck, you can reconcile the two in post, using Amy's instructions for setting up Final Cut and Premiere Pro projects for success. The final chapter includes bonus post-production strategies for future-proofing and exporting projects.
- Building a creative brief and concept boards before the shoot
- Determining the technical requirements for the shoot
- Taking good field notes
- Using slates
- Managing media effectively on set
- Backing up source footage
- Preparing interview transcripts, editing lists, and asset lists
- Reviewing your post-production plan
- Setting up Final Cut Pro projects
- Setting up Premiere Pro projects
- Syncing dual sound and multicamera media
- Exporting files for audio post and color grading
Skill Level Intermediate
Duration
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with Amy DeLouise1h 46m Intermediate
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Introduction
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Welcome1m 54s
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1. The Challenges of Moving between Production and Post
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2. Things to Accomplish before the Shoot
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Creating your creative brief4m 42s
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Rights management2m 21s
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3. Shoot Essentials for a Smoother Edit
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Why room tone matters2m 33s
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4. Effective Media Management On Set
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5. Things to Accomplish before the Edit
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6. The Post-Production Kickoff
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7. Setting Up Your Final Cut Pro X Project for Success
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8. Setting Up Your Premiere Pro Project for Success
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9. Additional Post-Production Strategies
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Future-proofing your project5m 48s
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Conclusion
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Conclusion2m 33s
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Video: Future-proofing your project