The visual style of a film is what makes it unique and cinematic. Movie aesthetics can really help convey a story more convincingly to an audience. Directors can tell better stories if the wardrobe, hair, makeup, locations and sets, music, color palette, lighting, camera movement, props and more are all telling the same story and are designed well.
- As director, you will be ultimately responsible…for the visual style of your film.…Of course, you'll have the assistance…of your production designer and director of photography,…but ultimately, they'll be coming…to you when they have questions.…This whole thing of style was especially important…on a fantasy film like The Assurance.…I really wanted to create a fantasy world…that hadn't been seen before.…So many fantasy films feel like stylized versions…of Europe in the Middle Ages, and I love that style,…but I wanted to make something new for The Assurance.…I wanted this to feel like another world,…and I wanted the people to look broken and worn down.…
To make the world feel unique, I used a color palette…of stylized versions of earthy colors.…For the common area scene, there are greens and oranges,…but I also added blues to the shadows.…I really like the color palette.…It's natural colors take you to a slightly unnatural place,…and that's the style of the film overall,…that I was going for, a world that felt familiar…
Author
Released
8/18/2016Watch and learn how to shoot a script, using visual motifs, atmospherics, framing, and different types of shots to tell the film's story. Find out how to give direction to your crew and be a good leader, while staying on budget and on schedule. Plus, get tips to improve shots during retakes or in post, and to become a better director, storyteller, and communicator.
Note: Like the rest of the Creating a Short Film series, this course was shot during the production of The Assurance. It offers a unique window into the actual struggles and challenges filmmakers have to overcome to get films made. Find the rest of the courses in the series on Chad's author page.
- What a director does
- Interpreting the script
- Scouting locations
- Choosing the tone and theme of the film
- Using motifs
- Shaping the story through visuals
- Being a good leader on set
- Respecting budgets and schedules
- Planning shots
- Moving the camera: on a tripod or dolly or in handheld shots
- Using rolling takes
- Framing shots
- Adding atmospherics
- Directing in post-production
- Becoming a better director
Skill Level Intermediate
Duration
Views
Related Courses
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Learning DSLR Filmmaking
with Chad Perkins1h 10m Intermediate -
Creating a Short Film: 01 Producing
with Chad Perkins1h 6m Intermediate -
Creating a Short Film: 02 Writing
with Chad Perkins3h 17m Intermediate -
Creating a Short Film: 04 Working with Actors
with Chad Perkins1h 49m Intermediate
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Introduction
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What does a director do?1m 53s
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The Assurance7m 43s
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1. Preparing for Production
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Choosing your crew1m 37s
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Interpreting the script2m 4s
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Creating a visual style2m 36s
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Scouting locations1m 37s
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2. Themes and Tone
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Controlling the tone4m 39s
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Using themes1m 58s
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Using motifs2m 13s
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About the blur motif2m 18s
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3. Shaping the Story
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Killing darlings3m 59s
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Cutting to add clarity1m 54s
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Adding tension2m 19s
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Showing, not telling4m 35s
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4. Running the Set
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Being a good leader3m 29s
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Sticking to your vision3m 3s
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Throwing away your vision2m 57s
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Knowing when to reset2m 45s
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Wearing multiple hats1m 25s
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5. Planning Shots in a Scene
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Understanding the scene2m 45s
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Planning the shots4m 19s
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6. Getting the Shot
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Getting coverage4m 2s
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Cheating and stealing shots3m 20s
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Utilizing rolling takes4m 10s
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Breaking the "fourth wall"1m 45s
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Fixing it in post1m 43s
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7. Improving the Shot
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Improving takes4m 11s
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Using extras3m 38s
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Framing the shot5m 28s
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Adding atmospherics3m 8s
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8. Directing in Post-Production
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Directing the edit1m 36s
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Directing VFX shots1m 49s
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Directing audio choices2m 46s
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Conclusion
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Becoming a better director1m 31s
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Directing resources2m 52s
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Final thoughts1m 1s
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Video: Creating a visual style