Learn about finding and auditioning actors for different roles and get a deep dive into the theory of acting: being vs. pretending, understanding character motivation, and interpreting the script. From theory, we segue into application, with some acting exercises to keep actors focused and in the zone. Chad also touches on the importance of rehearsals, and provides tips for directing actors on set and getting great voiceover in post. The course closes with an interview with Eva Jane, the lead in The Assurance, and her thoughts on getting into character and working with directors.
- Finding actors
- Conducting and evaluating auditions
- Exploring acting methods
- Practicing with acting exercises
- Conducting rehearsals
- Directing actors
Skill Level Appropriate for all
- [Voiceover] Hey folks, this is Chad Perkins, a filmmaker from Seattle. This training series is part of a collection of courses to teach you how to make a short film start to finish. As part of this training, I made a short fantasy film called "The Assurance" and documented the entire process, from writing and pre-production to working on set, through post-production to a screening in an independent movie theater in Seattle. In this training, you'll get to see how we budgeted, auditioned actors, set up lights and cameras, wrote and recorded the orchestral score, how we did all of our visual effects, everything.
And you know, filmmaking is really about problem solving. So we'll show you the first drafts and rough cuts, the challenges we had, the mistakes we made so that you can avoid those pitfalls on your projects. This training consists of 13 separate training courses. Each course focuses on a component of filmmaking, and will be released in the general order of the filmmaking workflow. The first course is on producing. How do you get a project off the ground and shepherd it to completion? The second course is on writing. We'll get an understanding of how to tell a story, examining some of the best Hollywood films, as well as how we created the world of "The Assurance".
Course number three is about pre-production, getting the script ready to film. We'll look at the meetings I had with our crew about the schedule, budget, designing the wardrobe from scratch, developing concept art and more. The fourth course is on acting. We'll look at what acting is really about. And we'll show you our auditions and rehearsals and why we made the choices we did. The fifth course is about directing, where we'll look at controlling the tone, running the set, and the many decisions that directors have to make. Course number six is all about working on set. What's that workflow like? What do all these people do? We'll look at all of that, as well as a tutorial from my wife, Heather, about how she created the special effects makeup for our film.
The seventh course is about cinematography. How can you use your camera and lighting to tell your story in the best way? Course number eight is about editing, and we'll see how we were able to re-edit our initial story to tell a completely different, and much better one. In course nine, we'll start to look at visual effects, creating environments, adding elements to shots, and removing objects from shots. Course 10 is all about the stuff you think of when you think of visual effects; magic, particles, explosions, you know, all that pretty stuff. These are all things that you could do at home for little to no money.
Course 11 is about color. This was a huge part of "The Assurance" and is an often-underused tool to transform bland footage or even poorly shot footage into something gorgeous. Course 12 is all about audio. We'll look at recording audio on set, composing the score and recording it, sound design, (cacophony of sound effects) and mixing it all together. And finally we'll wrap things up in course 13 by talking about how to market and distribute your film, including how to make marketing materials like logos and trailers, and how to get your film seen by an audience.
I think it's a one-of-a-kind experience to not just learn about how to make films, but to see what it's actually like to solve problems and struggle and fail and compromise during that process. - Cut. - [Voiceover] Now this has been years in the making, so thank you so much for watching this. Enjoy the training. - That's a wrap. (cheering)