From the course: Artist at Work: Tertiary Colors
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Making your focal points in an image pop
From the course: Artist at Work: Tertiary Colors
Making your focal points in an image pop
So that little tree. Now I will use a good brush for that. Actually I'm going to use a smaller brush. This is the tiny area. And a big mistake that people have when they're, when they're working is they use the tool that's too large for the area they're trying to articulate. And thats just silly you should use a size brush or tool that fits the literal shape and size of the thing you're making. Particularly in traditional work, that's the case. So let me just pull a little bit of violet into the brown. And now the brown that I'm using is a different brown. This is burnt umber. It's a chocolatey brown. So if you think of milk chocolate, it's sort of like that. Now, what I can do also is use some paper to test. But for now, I'm just using the palette to mix these colors. But it's always good to have something aside to sort of tap on the piece of paper to see what your color is. Okay, so here, I am just going to bleed in a little bit and when I say bleed, I mean, the, the surface of this…
Contents
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Introduction: Laying a ground4m 22s
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Adding texture to the ground3m 28s
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Establishing value4m 20s
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Relating a blue sky to the tertiary ground2m 47s
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Incorporating a neutralized green4m 13s
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Making your focal points in an image pop4m 3s
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Building depth in the landscape7m 37s
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Adding vibrancy to the sky5m 31s
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Detailing the cloud for emphasis1m 44s
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Adding final details6m 50s
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Final thoughts34s
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