From the course: Artist at Work: Tertiary Colors
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Adding final details
What I want to do down here is use something that mimics the stroke of the grass so I'm going to pull perhaps a little bit of white. Although if I look at this grass it's not pure so I don't think I'll use the white pencil, I think I'll use another color here. Back here is a kind of yellowy-orange. And I'm trying to mimic the direction of the grass. We talked about mark making before. And in this case I want the marks to standout against this ground. I'm going to use the white pencil and the yellow pencil to create that kind of creamy tone. And, it's just a little note of grass. It's a, this is a very simple landscape. What I want is cream color so I'm mixing white and yellow together. My marks in this case are going in a different direction than they did before, to draw attention to it. All the marks I've made have gone horizontally, everything, except tree and grass. And so, you know, that's an important thing to remember is that the direction of your mark especially when you're…
Contents
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Introduction: Laying a ground4m 22s
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Adding texture to the ground3m 28s
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Establishing value4m 20s
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Relating a blue sky to the tertiary ground2m 47s
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Incorporating a neutralized green4m 13s
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Making your focal points in an image pop4m 3s
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Building depth in the landscape7m 37s
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Adding vibrancy to the sky5m 31s
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Detailing the cloud for emphasis1m 44s
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Adding final details6m 50s
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Final thoughts34s
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