DaVinci Resolve 11 supports audio and video editing, allowing you to create projects such as music videos. When setting up the music video, analyzing and importing the source footage in DaVinci Resolve 11 is the first step in the creation process. Use this online tutorial to learn what to look for in music video source footage, how to set up the music video project and how to configure project-specific preferences.
- In this chapter, I'm getting started with DaVinci Resolve,…we've spent a fair amount of time going over the interface.…Now, let's take that knowledge and put it into action.…We're going to start a brand new project…that's empty and then add media to it,…and we're gonna examine that media…to figure out how we should set up our project preferences…and start working on an initial timeline.…So, let's begin by logging into…our User Learning Resolve 11.…And, I'm going to log into the Untitled Project.…
And, I'm going to Save it and call it…Chapter 3 - Music Video Start, and Save.…And, I can confirm the save by looking down here…where it tells me the name of the project that I'm in.…So, now, as we expect, when we first launch into a project,…we're here in the Media page and,…now, what we want to do is figure out…how we're going to set our project preference.…And, there is one very important project…preference that we want to set up…before we set up anything else, and it's this one,…the Timeline frame rate.…
There is almost no other settings,…
Author
Released
11/7/2014In these tutorials, indie-feature-film and broadcast colorist Patrick Inhofer guides viewers through color grading with DaVinci Resolve and Resolve Lite 11. With emphasis placed on real-world techniques and workflows, the course will help editors and aspiring colorists edit in the timeline, perform primary and secondary color corrections, match shots from multiple cameras, create mood-rich looks, and render out movies to share with clients. Interspersed throughout the course are "lingo" movies, which will help you learn the language of colorists, and "in action" chapters, where Patrick applies the lessons learned to a real-world music video for the band Minimus the Poet.
- Building a Revolve system
- Comparing Resolve and Resolve Lite
- Tweaking preferences for better performance
- Getting clips, timelines, and projects into Resolve
- Editing footage in Resolve
- Evaluating images like a colorist
- Working with serial nodes
- Making contrast and color adjustments
- Making targeted secondary corrections with keys and shapes
- Creating looks with third-party plugins
- Matching shots
- Rendering, delivering, and archiving footage
Skill Level Beginner
Duration
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with Maxim Jago3h 16m Beginner
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Introduction
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Welcome3m 16s
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Using the exercise files9m 50s
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1. Building a Resolve System
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Who uses DaVinci Resolve?3m 52s
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Upgrading DaVinci Resolve5m 30s
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2. Understanding Databases, Users, and Projects
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Databases: Disk-based5m 30s
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Updating databases6m 36s
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Managing users4m 27s
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3. Getting Started with DaVinci Resolve 11
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Interface overview7m 36s
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Customizing the interface8m 50s
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Working with dual displays5m 19s
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4. Editing a Project in DaVinci Resolve 11
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The Edit page in detail4m 45s
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Keyboard shortcuts5m 38s
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Editing into a timeline7m 32s
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Working in the Edit mode6m 39s
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Working in the Trim mode7m 5s
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Working with audio8m 51s
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5. Moving a Project from a Nonlinear Editor (NLE) to Resolve
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6. Image Evaluation: Seeing Like a Colorist
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7. Understanding Nodes
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What is a serial node?9m 39s
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8. Primary Color Correction Tools
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The Primary sliders4m 9s
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Y-only vs. YRGB adjustments5m 57s
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Adjusting hue and saturation2m 16s
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The RGB mixer5m 1s
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Raw controls7m 50s
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Working with log footage7m 59s
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LUTs in action5m 22s
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What are 1D and 3D LUTs?4m 53s
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9. In Action: Primary Color Correction
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10. Secondary Color Correction Tools
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Using the Hue Vs. curves8m 4s
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Tracker: Fundamentals8m 31s
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Tracker: Advanced tracking3m 59s
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Tracker: Stabilizing shots5m 25s
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11. Shot Matching
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What is shot matching?4m 31s
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Overview: The gallery8m 40s
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Gallery: The Reference Wipe7m 42s
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The split-screen view6m 46s
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Matching exposure8m 13s
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Matching color7m 53s
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12. In Action: Secondaries and Shot Matching
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Hero shots: Fixing problems6m 51s
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13. Building Looks: Essential Tools
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Node and input resizing6m 46s
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Render cache: User mode8m 33s
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Render cache: Smart mode7m 37s
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Keyframing fundamentals8m 27s
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Temporal noise reduction7m 58s
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14. In Action: Building a Look
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15. Rendering, Delivering, and Archiving
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Rendering: Individual shots10m 56s
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Final rendering and delivery4m 52s
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Backing up and archiving5m 30s
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16. DaVinci Resolve Updates
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Conclusion
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Goodbye2m 54s
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Video: The music video: Analyzing and importing the source footage